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Posted inArt

Occupying Minds, Not Streets

Mounting an exhibition anywhere in the neighborhood of occupation aesthetics can be precarious nowadays, for people are increasingly fed up with the same reiterations of ideological conceptualism and the ultra–politically correct, derivative works that skim the surface of real world problems precipitated by global capitalism, government incompetence, dictatorship and injustice. But Beijing-based artist Chen Shaoxiong had a rather pragmatic impetus for reconsidering — through art — global phenomena from the Arab Spring and Occupy Wall Street to democratic elections that have sprung up in remote Chinese villages.