In a hybrid text combining criticism and poems Robert Vas Dias explores the paradoxes of still life painting.
One hundred years after Mary Hiester Reid’s death, Flower Diary recovers the elusive, overlooked artist’s life and work
Who would have thought that still lifes would create such a strong reaction?
Porter’s struggle, and the ensuing invisibility of his work, are as much a part of his story as his masterful paintings that dignify humble everyday objects.
In their two-artist show at Mrs. Gallery, Sarah Bedford and Tracy Miller offer complementary approaches to bringing the historically devalued genre of still life painting into the 21st century.
The Dutch loved painting lemons; Italians, oranges and pears. Meanwhile, artists from the US and France were the most likely to incorporate the humble cracker into their canvases.
With a bit too much time on my hands and a subscription to Adobe Photoshop I have been playing with an idea: what will happen to traditional still life paintings when elements from contemporary life are grafted into them?
Sharon Core does not simply make photographs of still lifes that exactly re-create paintings, she creates the still lifes — literally.
For 10 years, artist Abbie Zabar had a ritual: go to the Metropolitan Museum of Art and sketch the new floral arrangements adorning the entrance hall.
Ever since viewing what turned out to be the final solo show of Bruce Kurland (1938-2013), at the Victoria Munroe Gallery in New York City in 1990, I have been haunted by his intimate oil paintings.
These days you can’t walk out of the house without tripping over an abstract painting.
Considering the art of the painter Janet Fish, who currently has works spanning fifteen years on display at DC Moore Gallery, I found myself pulling books off the shelf by the philosopher Maurice Merleau-Ponty.