The auction house will relocate its galleries and sales room to the Marcel Breuer-designed Brutalist building in 2025.
Richter is undoubtedly an impressive painter, one who exhibits a mastery of practice but confusion of tone. His latest retrospective, Painting After All, doesn’t quite connect the dots.
While Mrinalini Mukherjee radically used textiles to negotiate the deep roots of symbolic Indian art and craft, her visual vocabulary sought independence from traditional roles within her culture.
In her fiber sculptures, Mrinalini Mukherjee achieved an alchemic relationship between materials and process, fusing abstraction and figuration to indelible effect.
Born in Tehran and having made his home in Minneapolis, historical and familial references abound in this artist’s body of work that draws in equal measure from the arts and the sciences.
Everything Is Connected: Art and Conspiracy spirals through 50 years of paranoia in America from JFK’s assassination to extraterrestrial touchdowns and September 11. But what does that even look like?
Conspiracy theories have gone mainstream in 2018, but the Met Breuer’s exhibition downplays the political importance and danger of their existence.
The drawings of Klimt and Schiele, in contrast to those of Picasso, are graphic evidence of an artist grappling with what is directly in front of him.
On display at the Met Breuer are the nude drawings, watercolors, and prints by Klimt, Schiele, and Picasso. This will be the first time these pieces have been on display together.
We cannot escape violence, Golub suggests. We cannot overcome it or circumvent it or negotiate with it.
Golub’s paintings cast the West’s Greco-Roman heritage not as a reflection of reason and order, but as a manifestation of its latent savagery.
Each of these exhibitions showed me something I had not seen before.