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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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The Solomon R. Guggenheim Museum

Posted inArt

Guggenheim’s Panza Collection Team Responds to “Why Did the Guggenheim Decommission a Donald Judd?”

by Seph Rodney August 12, 2020November 5, 2020

They write, “We welcome Peter Karol’s extended reflection on topics at stake in the Panza Collection Initiative, which contains many important points, but also contains several errors and misstatements, which we are writing to correct.”

Posted inNews

Guggenheim Workers Ask Trustees for Help Amid Union Negotiations

by Hakim Bishara March 13, 2020April 15, 2020

Recently unionized workers urge the Guggenheim’s trustees to wield their influence on the museum’s “reluctant” management.

Posted inArt

The Museum Wall That Broke the Art Handler’s Back

by Zachary Small September 2, 2019September 2, 2019

Over the summer, Hyperallergic interviewed dozens of art handlers about the variable conditions of their workplaces. This week, we are bringing their stories of accident and injury into the light.

Posted inSponsored

Reflections on Artistic License

by Solomon R. Guggenheim Museum June 18, 2019June 18, 2019

Join the Guggenheim Museum for a series of conversations with the six artist-curators of Artistic License on select Tuesdays from June 18–December 17, 6:30 pm.

Posted inComics

Hilma af Klint Inspires an Artist to Take a Closer Look

by Sarah Glidden April 19, 2019

She was an artist who believed in progress, in the evolution of humanity.

Posted inIn Brief

In a Satirical Segment About the Opioid Epidemic, John Oliver Calls Out the Sackler Family

by Hakim Bishara April 15, 2019September 11, 2019

“The Sacklers love putting their names on things. Although until very recently they have been miraculously good at keeping their name off the opioid crisis,” Oliver quipped in the segment, making note of Nan Goldin’s art world protests against the family.

Posted inArt

Fixating on Giacometti’s Doomed Woman

by Barry Nemett September 1, 2018August 31, 2018

Who is this nameless woman whose first (and last) breaths were drawn nearly 90 years ago?

Posted inArt

Giacometti and Fears of Emasculation

by Zachary Small August 28, 2018August 27, 2018

A retrospective at the Guggenheim presents Giacometti as one of art history’s great vanishers of women.

Posted inArt

Danh Vo’s “Tiny Diasporas” at the Guggenheim

by Seph Rodney May 8, 2018May 15, 2018

Seph Rodney and Nile Davies discuss the retrospective of Danh Vo in a global context, scrutinizing the politics of belonging, objects, and history.

Posted inArt

How Pre-Columbian Art Influenced Josef Albers

by Dennis Zhou March 23, 2018March 28, 2018

The Josef Albers in Mexico exhibition is a necessary corrective to Albers’s reputation as more pedagogue than painter and the misconception that abstraction can ever be free of outside influence.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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