ST. LOUIS — Several months ago, I made the commitment to be away from New York City, my home and native land, for the duration of this summer.
Thomas Lax
The Artistic Madness of the American South
The insane, or seemingly insane, have constituted a good chunk of “outsider art” since the term’s inception, so it’s no surprise that When the Stars Begin to Fall: Imagination and the American South, now in the last week of its run at the Studio Museum in Harlem, includes a few of them.
Filling in the Gaps: Feminism’s Continued Relevance in the Arts
This past weekend I joined the audience for the day of panel discussions at the Brooklyn Museum organized by The Feminist Art Project as part of the annual College Art Association Conference. I was only able to stay for the first three and a half panels, in a day that included five. But in those three and a half panels, a clear through-line started to emerge, at least from my perspective. That through-line involved the idea of creating collective histories, of asserting a history that complicates singular narratives, and that makes it clear that whole communities of differing experience and perspective participate in the making and supporting of the arts.