Last Thursday, Paddy Johnson (AKA ArtFagCity) held a debut party for her ambient sound-collecting DJ battle record Sound of Art at Santos Party House, and I think our small sector of the art world collectively took the morning off on Friday. This short vacation ended with your humble writer as well as the Hyperallergic editor stumbling into work around 11am accompanied by groans and sensitivity to light. Thanks to the musicians that spun the album in their sets that night, the conclusion after the party, and post-copious LP and vodka sales, was that art sounds pretty loud, but art-partying sounds louder.
For #TheSocialGraph, I proposed a look at the next step in social media — telepresence, which, in its simplest form is a large-scale video chat meant to mimic the presence of someone in the room, and at its most complex can take the form of a roving, camera-enabled robot.
Since almost as early as the invention of the telephone, human beings have imagined the possibilities of video communication. How amazing would it be to see each other over the phone? That technology now exists, as cameras become embedded in our computers and our smart phones. But even Apple has had trouble pushing it past niche uses. Video chat, for most people, is just too weird.