With Chinese Fashion Week rapidly becoming a formidable competitor to Paris and Milan, and figures like Peng Liyuan reaching Carla Bruni levels of icondom (minus the fur bikini), Eastern fashion is dominating conversations of style and commerce. To capitalize on this emerging popularity, The Museum of Chinese in America has focused two of its spring exhibitions towards sino-sartorial oeuvres: Front Row, which takes a look at the exponential growth of Asian-American fashion designers such as Vera Wang and Jason Wu, and Shanghai Glamour, an examination of early twentieth century clothing and culture from the “Paris of the East.”
Have some designers gone a little too far slapping their high profile names and logos on things? Do we really live in a world where designer bicycles are the must-have of the season? Let’s take a look at some innocent objects that were perfectly good without a designer name that now we have the uncontrollable urge to purchase thanks to aggressive marketing and brand awareness.