Meghan Boody’s images were initially produced in 2014 for a gun buyback program in New Orleans, but some expressed concerns when the works resurfaced this year in the context of a for-profit exhibition.
Meghan Boody’s images were initially produced in 2014 for a gun buyback program in New Orleans, but some expressed concerns when the works resurfaced this year in the context of a for-profit exhibition.
Kelly Grovier discusses his book on the history of pigments in a new podcast episode, making the case for how myths and science can enrich how we experience art.