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# Three Poems by Sandra Simonds
- URL: https://hyperallergic.com/three-poems-by-sandra-simonds/
- Published: 2014-10-15T11:02:29.000Z
- Updated: 2025-11-24T16:43:54.000Z
- Description: Our poetry editor, Joe Pan, has selected three poems by Sandra Simonds for his series that brings original poetry to the screens of Hyperallergic readers.
- Author: Joe Pan
- Tags: Poetry, Hyperallergic Poetry, #wp, #wp-post, #image-position-hidden, #Import 2025-11-24 07:03 (2014, 2015, part 1)

*Our poetry editor, Joe Pan, has selected three poems by Sandra Simonds for his* [*series*](http://hyperallergic.com/tag/hyperallergic-poetry/) *that brings original poetry to the screens of Hyperallergic readers.*

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![MGROTH_20140215_015](https://storage.ghost.io/c/51/f8/51f871d8-b6be-4a73-b958-0ca4fff0110a/content/images/hyperallergic-newspack-s3-amazonaws-com/uploads/2014/02/mgroth_20140215_015.jpg)

Austin Lee, “Dropla” (2013) (photo by Michael Groth for Hyperallergic)

## Love Poem

“I *really* hope pot is the gateway drug,” said the day laborer  
to the lamb, “…down into the abyss of the inanimate  
by many gradations,” & “cling to the darkness until you turn  
to song.” What is the significance of your misogyny?  
When you wear a T-shirt that says “supporting single moms,”  
with the silhouettes of strippers on it, and behind that  
swampy, weepy, hormonal, sorority girl/ frat boy Tallahassee,  
with all its DUIs and car crashes, I think, *Don’t you get* 
*desperate? Don’t you get lonely?* Workers of the world, tonight  
I learn that I don’t even own my own foreplay, that my song  
isn’t my song—the sexual position as limit case to everything gone  
wrong. A space-time continuum of hovering displacement.  
He said, “I like to look at your mouth when you talk.  
Just talk. I like it. Just talk. I like it. Talk tick talk.”  
I like the way it makes agriculture.

## Smoke Weed, Drink Coffee, Go Scalloping.

Smoke weed, drink coffee, go scalloping.  
Conflicting desires: animation or just fall into the sofa?  
The dominion of their blue eyes will cost  
them their dominion. Mixed media  
of prehistoric flesh and saltwater. Benign substances  
drift. Friends in and out of the house. It was love  
but the slow kind; I had  
to wait for it in jellyfish time. One week along  
the Gulf of Mexico, the next in a borax mine. I reached into  
sea grasses for empty shells. *Loneliness* 
*without rest!* But to lift my hand even to boil  
some water for tea. He shucked  
the scallops. My body, either in txt or irl, ate silently.

## Love Poem

Honesty’s the best policy unless you  
have to survive. The best liar  
in hell becomes heaven’s beloved treasurer. One person’s  
trash is the thousand troubles that go along  
with each stupid pleasure. You can study  
demonology and buy vintage records  
but when I rip a page from *Simple Steps* 
*To Organizing Everything*, and write your name  
on it, the whole place  
gives up like a bad heart.  
And once you give up drugs, drinking  
and having random sex, what is left?  
A continent. Books. A camping trip. Baby shoes  
and socks. Yoga and Big Lots. Buy diapers,  
buy batteries for talking gorilla so it will dance  
and sing “Wild Thing.” Repost anti-fracking  
stuff on Facebook.

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Sandra Simonds is the author of four books of poetry: *Warsaw Bikini* (Bloof Books, 2008), *Mother Was a Tragic Girl* (Cleveland State University Press, 2012), *The Sonnets* (Bloof Books, 2014), and *Ventura Highway in the Sunshine* (Saturnalia Books, 2015). Her poems have appeared or are forthcoming in *The Best American Poetry Anthology*, *Poetry*, *The American Poetry Review*, *The Believer*, *Fence*, *Black Warrior Review, Barrow Street*, *The Columbia Poetry Review*, *Gulf Coast*, *Post Road*, and others.