MoMA

Artist Yoko Ono interacting with people activating her

Yoko Ono: One Woman Show, 1960-1971, an exhibition that opens tomorrow at the Museum of Modern Art, examines in depth the early work and ideas of a well-known, influential Fluxus and multimedia artist.

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Post image for The Uncompromising Queer Politics of Bruce LaBruce

On the heels of a desultory interpretation of a prolific artist’s life (looking at you, Björk), the Museum of Modern Art (MoMA) dedicated a retrospective to one of the foremost subversive queer filmmakers of our time.

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Post image for The New Urgency of Jacob Lawrence

The discussion used MoMA’s current Jacob Lawrence exhibition as a jumping-off point for considering a plethora of intersections between art, politics, and social justice.

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Post image for 8 Figurative Painters in an Atemporal World

Recurrent throughout 8 Painters are stylings on past painterly marks and movements, not so much placed in quotations as absorbed into a work’s facture.

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Post image for Lights, Camera, Cut: The Problems of Matisse on Screen

Matisse: From Tate Modern and MoMA aims to capture onscreen the blockbuster exhibition Henri Matisse: The Cut-Outs, currently at the Museum of Modern Art and previously at Tate Modern.

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Robert Heinecken,

The first work one encounters in Robert Heinecken: Object Matter, the Museum of Modern Art’s (MoMA) retrospective of the renowned “para-photographer,” is a 1965 piece entitled “Visual Poem/About the Sexual Education of a Young Girl.”

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Post image for China’s Buried Past and Submerged Future: Patty Chang and David Kelley’s ‘Flotsam Jetsam’

In the opening moments of the film, Flotsam Jetsam (2007) by Patty Chang and David Kelley, currently playing at the Museum of Modern Art, New York, a bridge-like structure is seen in the distance, partially traversing what seems to be a wide river.

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Post image for Sigmar Polke’s Sad, Sinister Little Movie of a Monkey and a Bear

A little more than a week after sitting on a short, narrow bench and watching a video projection of Sigmar Polke’s 34:38-minute 16mm film, “Quetta’s Hazy Blue Sky (Quetta’s blauer dunstiger Himmel)/ Afghanistan-Pakistan” (c. 1974-76), I returned to the exhibition, Alibis: Sigmar Polke 1963-2010, currently at the Museum of Modern Art, New York, determined to watch the same film again.

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News

MoMA’s Acquired App-etite

by Hrag Vartanian on June 12, 2014

Post image for MoMA’s Acquired App-etite

The Museum of Modern Art has acquired the first downloadable app for its collection.

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Post image for Ahead of World Cup, Brazilian Art Flourishes in NYC

There may never have been a better month to see Brazilian art in New York. Last weekend, Frieze brought a taste of São Paulo art galleries Casa Triângulo, Fortes Vilaça, Mendes Wood, Vermelho, and Jaqueline Martins, as well as Rio de Janeiro’s A Gentil Carioca, to Manhattan.

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