Artists who live and make work in regions that have little to no art infrastructure often have the freedom to be creative, experimental and reactive without the boundaries that accompany exhibiting work in formal spaces. But there’s also a significant divide between achieving a sustainable art career at home and reaching the point of exhibiting and selling one’s work in the global art market.
Claire Breukel
Claire Breukel is a South Africa-born contemporary art curator and writer. Her interest is in contemporary art that falls outside of conventional modes of exhibition, and often affiliated with “developing” regions. She lives and works in New York and Miami.
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Art from the Developing World: Differently Indifferent
A gallerist at the Armory Art Show recently asked me what it was like to work with artists from developing regions of the world. I didn’t mind this question, but he did it while staring down at me with a look of pity, which felt like a condescending pat on the head.
