Book Review
The Looter Who Built Your Favorite Museum
A new book maps the network that allowed Douglas Latchford to violently rip Khmer statues from their homes and funnel them into Western institutions.
Book Review
A new book maps the network that allowed Douglas Latchford to violently rip Khmer statues from their homes and funnel them into Western institutions.
Book Review
Nicholas Fox Weber’s new biography draws on their nearly 25-year friendship, allowing her dedication to textile art and her warm humor to shine through in equal measure.
Feature
The recent shift toward figuration on book covers may reflect a broader desire for physical presence — proof of the artist’s hand in the digital age.
Guide
A novel lampooning the art world, Megan O’Grady’s meditation on art and living, the man who defined color in the dictionary, Nan Goldin’s tender photo essay, and more.
Book Review
Even a book by a leading expert on the avant-garde artist can’t tell us much about her personal life.
Book Review
The American photographer's new book transforms the city's endless construction sites into otherworldly visions.
Book Review
He surpassed all of his colleagues in the sheer depth, visceral intimacy, and empathy conveyed in his renderings of nobles, aristocrats, and thinkers.
Book Review
In a book on Qing-era trade portraitists whose names are lost to history, Winnie Wong shows us how our restless pursuits of authenticity guide us into pitfalls of our own making.
Books
Kathleen and Eldridge Cleaver’s family album depicts aspirational homemaking in diaspora, capturing the tension between rest and motion as they navigated exile with their children.
Book Review
“On Censorship” offers timely reflections from the dissident artist, whose entire life and career have been marked by state persecution.
Book Review
The art critic and former painter reinvents the genre’s well-trod territory in her debut novel, which makes heartbreakingly acute the consequences of teacher-student relationships.
Books
My career has been defined by a steady effort to collapse silos: between curatorial and educational work, between institutions and communities, between what museums have been and what they might yet become.