Opinion
The Case for Palestine at the Venice Biennale
Does the exhibition prefer to destroy its long-standing significance for artists, curators, and art workers than to hold the moral clarity that this moment is asking from us?
Opinion
Opinion
Why My Public Art Drives the Right Nuts
"Phoenix Ladder" is an homage to the people of the Bronx, a lighthouse for our collective futures, and our witness.
Opinion
The Marquis de Sade of the Upper East Side
Like the infernal French nobleman, Jeffrey Epstein’s story represents cruel and oppressive politics that were seeded in aristocracy, tended in capitalism, and are now harvested in fascism.
Opinion
LA’s Art Scene Is Not a New York Outpost
Artist-run spaces represent the heart of Los Angeles’s art scene, yet most people still see the city’s identity as tied to the market — one that’s increasingly influenced by the East Coast.
Opinion
All About Love From a Black Medieval Angel
A rare manuscript illustration casts Blackness not as a mirror of sin, but the ground from which love itself might take shape.
Opinion
NYC Deserves a Culture Commissioner Who Cares
The city is in a deep affordability crisis that is reshaping who can live and work here, and which institutions can survive.
Opinion
Teaching Children Taught Me How to Be an Artist
My young students reminded me that my entire body is an extension of my art and making.
Opinion
Israel's Plan to Artwash Genocide at the Venice Biennale
The artwork at the heart of the pavilion promises to continue the project of denying Palestinian existence.
Opinion
When Artists Lose Their Archives
I couldn't afford my storage unit anymore. After it was auctioned off, I found out that parts of my lost work were being sold online.
Opinion
Epstein Files Expose the Depths of the Art World's Rot
How do we empower arts leaders to reject funding from corrupt individuals in favor of donors who have proven themselves to be civic leaders?
Opinion
Archival Art Will Not Save Us
Archival work has a place in historical recovery and cultural self-understanding. But not every artwork must be archival, and our politics shouldn’t end with presence rather than action.
Opinion
After the Strike, Will Art Galleries Be Allies?
If deleting the social media post tomorrow would change nothing about how artists are paid or how resources are allocated, the gallery’s allyship is disposable.