Opinion
The Hudson River School’s American Apocalypse
One of the United States’s first major art movements registered anxieties about industrialization, empire, and environmental ruin.
Opinion
One of the United States’s first major art movements registered anxieties about industrialization, empire, and environmental ruin.
Opinion
Democratic Congressman Jerry Nadler has led the fight to bring resale royalties to artists in the US. With his retirement, it could all go away.
Opinion
In a guest essay for the New York Times, the former Art Basel global director presented a vision of a Brave New Art World that has little to do with art and those who make it.
Opinion
I am often reminded of the warmth of a quilt at my great-grandmother’s house, the weight of wool and polyester patchwork that dared you to try to break free.
Opinion
To RISD’s graduating class, I say: The most necessary work comes from the willingness to stay in the discomfort of the open question.
Opinion
A professor at the School of the Art Institute of Chicago asked her students to imagine a way to help someone they might encounter. Leadership found that beyond the pale.
Opinion
Given the region’s abundant petroglyphs, why are there so few legal protections and only one World Heritage inscription?
Opinion
We must cultivate spaces with the capacity to hold another kind of cultural experience that forges a reintegration of art and life.
Opinion
After spring's marquee auctions, we are led to believe that everything in our important art universe is doing just fine. It isn't.
Opinion
If “pothole politics” is about fixing what people experience in their daily lives, then cultural funding should follow the same logic: steady, predictable, and built to last.
Opinion
The decision to remove a portrait of the labor leader from “Chicano Camera Culture” at The Cheech was not one I took lightly.
Opinion
Trump's new golden statue in Miami has been compared to the Golden Calf, but it's more akin to a Moloch idol.