Interview
Pyaari Azaadi Names a Revolution
“I think sometimes of that black and white historic photograph of 100 people giving a Nazi salute, except one person,” the artist told Hyperallergic. “I think that’s me.”
Interview
“I think sometimes of that black and white historic photograph of 100 people giving a Nazi salute, except one person,” the artist told Hyperallergic. “I think that’s me.”
Interview
The Diné weaver and teacher reimagines pre-trading-post-era weaving techniques, continually coloring his practice with new aesthetic and material horizons.
Interview
The co-directors of “It’s Just a Fucking Opening,” a new short film, spoke to Hyperallergic about toxic sociality and the line between criticism and gossip in the art world.
Interview
“We don’t have enough examples of winning, so it’s really important to taste the sweetness when we do,” the artist and activist told Hyperallergic.
Features
Pistachio Wars argues that billionaires Lynda and Stewart Resnick are harming California’s environment as they artwash their damage.
Features
“I decided to write how the Greeks wrote, as if Yorubaland were the whole world,” the artist told Hyperallergic in an interview about her new book.
Interview
In the artist’s studio, we played her 1995 Puppet Motel on a blue iBook G3 and talked about technology, cyberspace, and abstraction.
Features
Hyperallergic speaks to artist and academic Işıl Eğrikavuk about whether art can help keep the spirit of protests alive.
Interview
DY Begay, best known for her abstract textiles featuring undulating bands of color, speaks about her decades-long practice of experimenting with pigment and form.
Interview
Curator Dan Nadel talks about creating a playlist for the Whitney Museum's latest exhibition, inspired by a time when history was inextricable from its soundtrack.
Features
The pioneering Light and Space artist spoke with Hyperallergic ahead of the unveiling his largest public art project to date.
Features
The artist talks to Hyperallergic about being raised by strong Black women, creating with abandon, and the full-circle significance of receiving the David C. Driskell Prize.