A pristine copy of “Batman No. 1” from 1940 is now the most expensive Batman title ever sold, and a rejected 1936 Tintin cover illustration became the most expensive work of comic book art.
Ancco, who became famous for her diary-like webcomics, has published a collection of stories that ripple through domestic violence, social oppression, and rebellion.
In this excerpt of Kusama: The Graphic Novel, illustrator Elisa Macellari time travels to Kusama’s life in 1960s New York City, when the artist became “the high priestess of love and pacifism.”
An Instagram project by Desert Island Comics, Rescue Party offers poetic renderings of the world beyond our current reality. According to these artists, it’ll be beautiful.
As Covid-19 takes the world by storm, cartoonists and illustrators express statements of solidarity, share experiences (and grievances), and laugh a little.
In a fierce information and ideological battleground online, India’s webcomic creators and illustrators are cutting through the noise with style and wit.
After decades of eschewing the internet, creator Gary Larson is releasing daily batches of the classic strip.
Some of the contributors to Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival maintain a “straightforward” style of testimony, while others employ creative license to convey the lasting psychological effects of sexual violence.
One of the defining texts of the superhero genre, the graphic novel also broke the genre in such a way that, after more than 30 years, it still hasn’t fully recovered.
A new exhibition recognizes the importance of representation both on the comics page and in the hands of the artists making them.
The comic, reprinted from the forthcoming The Best American Comics 2019, is an unsettling look at the oil sands of Alberta, Canada.
Posy Simmonds was known for her particularly wry voice, but Paul Gravett’s book gives its namesake short shrift, not placing her clearly enough in the context of other illustrators.