Art
In light of the recent Museum of Fine Arts, Boston's "Kimono Wednesdays" controversy, we'd like to explore the issues of minority representation in mainstream US museums and who gets to decide how cultural artifacts are represented and presented to the public.
Art
With the grand opening of El Barrio's Artspace PS109 — New York's newest artist housing initiative — happening this Saturday, we thought it would be a good time to explore the challenges of affordable artist housing in the city.
Books
The 2015 edition of Printed Matter's NY Art Book Fair opens to the public today and in anticipation we reviewed some of its standout offerings.
Art
The Hammer Museum has announced its final lineup and schedule for ALL THE INSTRUMENTS AGREE, a two-day program of back-to-back live performances by over 25 local, national, and international sound artists, music collectives, art bands, and visual artists whose practices extend into the production of
Art
Welcome to Hyperallergic's first ever New York Art Guide for fall 2015.
Art
On September 26–27, the Hammer Museum will present ALL THE INSTRUMENTS AGREE: an exhibition or a concert, a two-day program of back-to-back live performances by over 25 local, national, and international sound artists, music collectives, art bands, and visual artists.
Guide
Blonde Art Books, Brooklyn-based proponent of self-publishing communities and local arts initiatives, is holding their third installment of Bushwick Art Book and Zine Fair at SIGNAL gallery this weekend.
Art
Back again from London, The Lost Lectures returns to New York this Friday, June 5.
Art
As we prepare to welcome hundreds of guests to a still undisclosed NYC location this Friday, we're happy to announce that not one but two new speakers will be joining the final Lost Lectures Two lineup.
Art
Lost Number Two is less than two weeks away, and we'd like to share a couple of incredible announcements.
Art
The date and secret location have been set and we’re now ready to reveal this year’s Lost Lectures speakers!
Art
WASHINGTON, DC — When you think of textiles in museums, you inevitably imagine old things: musty rooms, faded colors, grandiose tapestries or thread-bare fragments, and fussy, protective installations.