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Clio, the Art World’s “Anti-Fair,” Returns to NYC
This year, the fair that bills itself as a haven for independent artists received double the submissions and is hosting not one but two editions.
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This year, the fair that bills itself as a haven for independent artists received double the submissions and is hosting not one but two editions.
News
It’s the first such collaboration between an auction house and a fair, two distinct models for selling art.
Feature
For all the whispers about the art market downturn, newcomers prove the New York fair can still serve as a stage for fresh voices.
Feature
This year, “paper” means giant clipboards, Moleskine notebook sketches, and even embroidered cash — works that make traditional drawing look, well, two-dimensional.
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From lesser-known Meret Oppenheim works to Anna Weyant’s jewel-box paintings, this over-the-top New York fair is rich with gems waiting to be discovered.
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In the heart of the financial district, over 70 artists from across the African diaspora showed works to an eager VIP audience.
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The invite-only fair includes downtown stalwarts, as well as emerging Tribeca galleries.
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Across the bridge, away from the perhaps buzzier Manhattan shows, The Other Art Fair and Conductor offer intimate opportunities to engage with artists.
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The blue-chip art market inflates with anger and slams its fist if you keep pestering it with the nuisance of the outside world.
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At the fair's new and bigger Chelsea venue, I admired taxidermied crustaceans, homages to Puerto Rican life, and textures galore.
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Having launched in the choppy waters of the pandemic, the show has since nestled comfortably into New York’s busiest fair week.
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For its second edition, 25 galleries from 17 cities are showing works across the sumptuous interior of New York’s Estonian House.