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A crowdsourced transcription project hopes to make the lives of women artists, art historians, art dealers, and gallery owners easier to keyword search and read.
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Sepuya’s portraits unmask the artifice of studio portrait photography.
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Chicago-raised photographer John Simmons, who almost lost his entire archive in a fire, seamlessly connects decades, cities, and diasporas.
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Self Help Graphics & Art is hosting its second Printmaking Summit featuring workshops, talks, and demonstrations. Celebrated artist Alison Saar will be giving the keynote address.
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Danielle Seid discusses Forever Chinatown, a film produced and directed by her grandparents in 1960.
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Art + Practice brings together the works of the LA Rebellion filmmakers and the works of younger generations of Black artists, filmmakers, storytellers, and scholars working in Los Angeles.
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Attia links seemingly disparate things and gives them new meanings by mining history, politics, literature, religion, art, anthropology, and medicine to find echoes everywhere.
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The Brooklyn-based painter's intimate portraits of her mostly queer artist friends play with gender fluidity, sexual ambiguity, and a collaborative creative process.
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The Lambda Literary Awards finalists will come together to read from their works next Tuesday at Housing Works Bookstore Cafe.
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Less than a mile from the White House, the Smithsonian American Art Museum's Artists Respond boldly surveys how artists wrestled with showing how their government had gone wrong.
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This is the first article in a series by Laura Raicovich, the recipient of Hyperallergic’s inaugural Journalism Fellowship for Curators, made possible by Emily Hall Tremaine Foundation. Today, she connects Anand Giridharadas’s latest book on philanthropy and late-capitalism with useful questions abo
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Two artists wrestle with the intersections of technology and massive ecological shifts brought on by the Anthropocene.