Film
The Automotive-Erotic Body Horror of Titane
What’s more natural, the film seems to ask — the “body parts” under the hood of a car or those pulsing beneath a woman’s navel?
Film
Opinion
How CODA and Sound of Metal Misrepresent Deaf Culture
Two recent films about Deaf culture have been lauded by hearing audiences, but set deafness and music at odds in superficial ways.
Film
From Catchy Commercials to Hollywood Think Tanks, the Evolution of Military Recruitment Ads
As long as wars have been fought, wars have needed to be sold. And just like with weapons, the US armed forces have long been on the cutting edge of propaganda.
Film
Ava DuVernay Tells Colin Kaepernick’s Life Story with a Mix of Documentary and Sitcom
The Netflix miniseries Colin in Black & White takes an unusual approach to the controversial football player’s biography, but ends up more odd than anything else
Film
Ryūsuke Hamaguchi’s Unusual Approach to Filmmaking
The Japanese filmmaker’s international profile has skyrocketed over the past year thanks to his new films Drive My Car and Wheel of Fortune and Fantasy, both of which are now hitting theaters.
Film
The Brutality of Innocence in Lynne Ramsay’s Ratcatcher
Lynne Ramsay’s 1999 debut film is arguably one of the masterpieces of 20th-century depictions of childhood poverty.
Film
Who’s Getting Rich Off of Kids Getting Killed?
Todd Chandler’s documentary Bulletproof looks at the many people monetizing the societal rot of school shootings.
News
Whitney Museum Transfers an Expansive Archive of Andy Warhol Film Archives to MoMA
From 1963 through 1968, Warhol produced nearly 650 films, including hundreds of Screen Tests and dozens of full-length movies.
Interview
Do You Dare Take the ‘World’s Fair Challenge’?
Jane Schoenbrun talks to Hyperallergic about We’re All Going to the World’s Fair and making the internet cinematic.
Film
Dune Is Impressive but Incomplete
The biggest problem with turning Dune into a film is that the book appears increasingly derivative of generic sci-fi tropes.
Comics
The Time Godard Called Filmgoers Bourgeois Fascists
Where are the directors taking the stage to acknowledge workers’ demands today?
Film
Why Do People Keep Finding Their Lives Onscreen Without Their Consent?
A man says Blue Bayou took details of his life without his permission. Several women who appear in the documentary Sabaya say they did not consent to be filmed. How can filmmakers avoid these ethical pitfalls?