Film
Good Madam Is a South African Horror Film Haunted by Whiteness
Jenna Cato Bass’s film is a reckoning both for her and all the clueless white children who never thought about the Black women who served them.
Film
Jenna Cato Bass’s film is a reckoning both for her and all the clueless white children who never thought about the Black women who served them.
Film
Fauci is not quite a hagiography of “America’s doctor,” but it comes close. It ignores or twists the flaws in his responses to both AIDS and COVID-19.
Film
In this film about stardom, the viewer has nowhere to appreciate and connect with the characters and concepts.
Film
Bill Morrison’s new documentary The Village Detective: A Song Cycle is an eerie meditation on mortality made from forgotten parts of cinema history.
Film
This update brings the star power of Jessica Chastain and Oscar Isaac, but can’t match the emotional intensity of the original.
Film
Like many of Silver’s films, the 1975 indie drama about Manhattan’s old Jewish enclave has been unjustly forgotten. But you now have the perfect opportunity to discover it.
Interview
Filmmakers Betsy West and Julie Cohen talk to Hyperallergic about Murray’s archives and holding themselves accountable as white women biographing a Black figure.
Film
Sean Baker’s film about a washed-up porn star seducing a teenage girl is sexually frank in a way few US films are now.
Film
Lucile Hadžihalilović’s English-language debut Earwig is another odd but assured film about the relationships between children and their guardians.
Film
The museum details the process of moviemaking, from its inception in storytelling all the way to its marketing. But interwoven into these exhibits are ugly truths.
Film
Jenkins’s new short film, the centerpiece of a MoMI exhibit on The Underground Railroad, uses his signature techniques to confront the viewer.
Film
The new documentary Bob Ross: Happy Accidents, Betrayal & Greed pulls back the curtain to expose the realities of Bob Ross, Inc. but does it go far enough?