La Nature is Armenian director Artavazd Pelechian’s first film in nearly three decades.
The most alluring aspect of the exhibition at the Fondation Cartier is its suggestion of what photographs of cars absent of people can convey.
PARIS — Bruce Nauman at the Fondation Cartier is a hip, hodgepodge mini-retrospective, curated by Hervé Chandè, that sets an array of Nauman’s works against each other, ranging from the ’80s to the rather recent.
PARIS — The Fondation Cartier pour l’Art Contemporain in Paris commemorates its 30th anniversary with “Musings on a Glass Box,” a two-part immersive installation by controversial New York design studio Diller Scofidio + Renfro that nearly empties the museum’s ground floor.
PARIS — I used to abhor Nan Goldin’s “The Ballad of Sexual Dependency” (1979-1986), her famous 45-minute operatic show of 800 color slides set to a choppy 80s pop music soundtrack.
PARIS — This is a vision of a universalized eclectic global art in forward motion: a relational aesthetic that seems to hover over many exhibitions in France as a great correctness that cannot be questioned, only tampered with.