He embraced the uncertainty of his environs, knowingly erecting his assemblage sculptures in areas subject to police raids.
Galerie Buchholz
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The Cosmic Utopianism of Two Fin-de-Siècle Collectives
The exhibition is strongest conceptually when the curators focus on the artist collectives that sought a new social and cosmic order through art.
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Lost in an Art Historian’s Annals of 1960s–70s NYC
To enter Douglas Crimp’s exhibition at Galerie Buchholz is to enter a state of overwhelm.
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Tracing Narratives in a Constellation of Art, Artifacts, and Texts
The week I visited Julie Ault’s new show, afterlife, at Galerie Buchholz, I also gave a talk at the Institute of American Indian Arts (IAIA) on poetry and the archive.