The artist’s “Kulturegeschichte 1880–1983” (“Cultural History 1880–1983”) is a seemingly endless archive that renders the viewer mute.
Hanne Darboven
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Hanne Darboven: Repetition
Hanne Darboven, though considered a visual artist, considered herself, first and foremost, a writer.
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It’s a Man’s World: Inside a Postwar Art Time Capsule
There may be some great-looking specimens of postwar art in Re-View: Onnasch Collection — an exhibition that turns Hauser & Wirth’s cavernous Chelsea outpost into a mini-museum offering the kind of intimate experiences that have been all but lost in New York’s uptown behemoths — but the show also arrives with some huge caveats.
