This summer, I saw the recent High Line commissions as portals into what Sarah Cervenak and J. Kameron Carter call “the black outdoors”: a space of “gathering” for thinking about how to “hold” instead of “to have.”
Ligia Lewis
Posted inPerformance
How Performance Art Leans Into the Unknown
At the Portland Institute for Contemporary Art’s Time-Based Art Festival, performances by Mia Habib and Ligia Lewis stood out for their engrossing contributions to the ever-evolving medium.
Posted inPerformance
Body in Mind: Live Performance in Prototype, Under the Radar, and American Realness
While this year some pieces isolated participants through technology, others relished their theatricality and fed off the physical presence of live performers.