In her new book, The Love of Painting: Genealogy of a Success Medium, critic Isabelle Graw ruminates on how painting remains omnipresent within the contemporary capitalist system and digital economy.
Martin Kippenberger
Posted inArt
Remembering Martin Kippenberger’s Self-Performance
His drunken antics and grand gestures amounted to a life that New York Times art critic Roberta Smith once called “an extended, alcohol-fueled performance piece.”
Posted inArt
The Beauty of a Museum Show that Feels Not Quite Finished
Kai Althoff’s paintings, drawings, sculptures, and artifacts at the Museum of Modern Art provide questions rather than answers.