Art
Norman Bluhm's Second Act
It is time that the art world recognize what Bluhm went on to do during the last three decades of his life, when he was deep into his own territory.
Art
It is time that the art world recognize what Bluhm went on to do during the last three decades of his life, when he was deep into his own territory.
Art
Lacy's work is more about making connections than providing content and it is still realized in the act of bringing people together, physically.
News
Hollein will enter the position when current Met president and CEO Daniel H. Weiss steps down in July of 2023.
Guide
Your list of must-see, fun, insightful, and very New York art events this month, including feminist surrealism, underground legends, and contemporary perspectives on print media.
Art
PPOW Gallery and the David Wojnarowicz Foundation launched an interactive project dedicated to the artist’s iconic photo-text collage.
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Opening in Washington, DC, on August 6, Living in Two Times features works by two of the most influential figures in the development of late 20th-century photography in Iran.
News
The musical is the first such telling of Kahlo’s life that has been sanctioned by her family, and draws in part on details from Intimate Frida, a book by her niece Isolda P. Kahlo.
Art
Aaron Bendich draws from his massive collection of Yiddish records to share an hour of otherwise hidden music on his radio show Borscht Beat. Recently, he also launched an independent Yiddish record label.
Art
Alexander Si's “Sweet Green” installation at Chinatown Soup, a near-replica of one of the popular salad chain’s franchises, explored the experience of blue-collar service workers and their place in a system of race-based capitalism.
Art
Gechtoff’s work did not fit into any of the New York art world’s narratives of progressive art. It is time we look closer at what this marvelous artist achieved.
Art
Riley’s nautical-themed exhibition brims with antic details that constitute a feat of serious world-building.
News
The works had previously been offered to the Ashmolean Museum in Oxford, but the institution turned them down on the basis that it could not establish “clear and secure” provenance for over half of the collection.