Art
Playing with Time on a Gilded Age Piano
George A. Schastey had one of the most popular design firms among New York City's Gilded Age elite, but now his work is barely known.
Art
George A. Schastey had one of the most popular design firms among New York City's Gilded Age elite, but now his work is barely known.
Performance
If the function of architecture is to create contemplative spaces, then the theater has become a place for ghosts.
Performance
In a 2011 commercial for his fragrance "Someday," Justin Bieber — then just 17-years-old — flies across sun-streaked heavens, a recently spritzed blond beauty in his arms.
Performance
The whirlwind of performances accompanying the annual convention of the Association of Performing Arts Presenters in New York has come to a close, with PS122's COIL, the Public Theater's Under the Radar, HERE's Prototype, Abrons Arts Center's American Realness and other festivals wrapping up last Su
Performance
APAP/NYC, the annual conference of the Association of Performing Arts Presenters, has hit town. PS122's COIL, the Public Theater's Under the Radar, HERE's Prototype, Abrons Arts Center's American Realness and other festivals all over the city aim to lure bookings for shows by presenting work around
Performance
Bertolt Brecht is rolling in his grave right now — but only to better see the provocative theater happening at The Public.
Performance
The musical Lazarus, currently nearing the end of a sold-out run at the New York Theatre Workshop, is the closest we'll get to a final David Bowie performance.
Performance
The opera Angel's Bone, having its world premiere at the Prototype festival, opens with a married woman fantasizing about telling her husband that she doesn’t love him.
Performance
In the final phase of Performa 15, which ended on November 22, a couple of performances turned profitably to music, creating synergies with standardized hand gestures in one case and the dynamics of theater lighting in the other.
Performance
LOS ANGELES — Tired of being an internet activist, performance artist Kristina Wong left behind the comfortable safety of her armchair and computer to set out for three weeks in northern Uganda.
Performance
Audiences entering the black box space of BAM Fisher in Brooklyn for More up a Tree found a transparent room containing a man sprawled on his back, and a woman nervously pacing.
Performance
Performa 15, the New York performance biennial, in this edition looks to the Renaissance as its "historical research anchor," as the festival's promotional materials put it, though in practice, the historical tie is often so vague as to be meaningless.