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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Posted inArt

Artists Consider the Concept of Care

Avatar photo by Lisa Slominski March 9, 2023March 10, 2023

Artists such as Leah Clements, Christine Sun Kim, and Jamila Prowse exercise care as responsibility, access, and inclusivity, and fostering a critical dialogue with others.

Posted inArt

Tracing the Legacies of Postwar UK’s Lost and Damaged Public Artworks

by Claire Voon March 7, 2016March 7, 2016

Last December, after cultural preservationists in England realized that many of the nation’s postwar public sculpture have disappeared from the landscape over a number of decades, they issued a public call to attempt to trace or even recover them.

Posted inArt

Inventive Twitter Projects Monitor Air Quality, Calm Chemo Patients, and More

Avatar photo by Allison Meier October 2, 2015October 5, 2015

At last month’s London Design Festival, six projects considered how Twitter might enable interactions beyond verbal communication.

Posted inArt

Disassembling a Dying Ash Tree so It Can Be Reborn

Avatar photo by Allison Meier September 30, 2015October 2, 2015

LONDON — The afterlives of trees are grim. Many become mulch, others fodder for fires.

Posted inArt

From Droughts to Pollution, a Photography Award Documents World’s Environmental Crisis

by Laura C. Mallonee March 16, 2015March 18, 2015

Try to reconcile these numbers: one billion people go to bed hungry every night, yet Americans and Europeans throw away half of all food they purchase uneaten.

Yale University Press Presents The Art of Colour: The History of Art in 39 Pigments
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Yale University Press Presents The Art of Colour: The History of Art in 39 Pigments

Kelly Grovier discusses his book on the history of pigments in a new podcast episode, making the case for how myths and science can enrich how we experience art.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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