Art
Now that the Whitney Biennial is finally over, did anyone notice that Patty Chang, Nikki S. Lee, and Laurel Nakadate weren’t included, just to mention three mid-career, Asian-American women artists who were conspicuously absent?
Art
Now that the Whitney Biennial is over and the critical debate around it has subsided, I feel it's time to put this project to rest: I created Joe Scanlan.
Art
There was no mention of the Whitney Museum or the Biennial, of Joe Scanlan, Donelle Woolford, or Michelle Grabner on the microphone at alternative arts space Freecandy last Thursday night.
Art
This past weekend, the 2014 Whitney Biennial drew to a close. To date Hyperallergic has published 16 pieces about the show — and we're not even finished yet.
News
The 38-member collective of artists that withdrew from the Whitney Biennial two weeks ago, known as the Yams Collective or HOWDOYOUSAYYAMINAFRICAN?, is screening its pulled contribution along with other material in an alternative Brooklyn space tonight and tomorrow.
Art
The 2014 Whitney Biennial came to a close this past weekend, ending with a performance by esteemed artist and musician Pauline Oliveros. The performance resonated with one of the more striking, if overlooked, curatorial themes of the show: sound in the museum.
Interview
Semiotex(e) is widely known as the publisher that brought French theory to America. Initially a scholarly journal founded in the early '70s by Sylvère Lotringer and others at Columbia University, Semiotext(e)’s reach expanded into the underground and downtown scenes, creating and reflecting affiniti
Art
“Envision an art world utopia in which every artist, irrespective of gender or race, is valued for their work!” It was (and still is) a lovely sentiment, shouted by 14 female artists decked in flowers and gowns and leotards, and standing in the second-floor galleries of the Whitney Museum.
News
The Yams Collective, the largest of the eight collectives participating in the 2014 Whitney Biennial, has withdrawn over objections to the curatorial program, Hyperallergic has learned.
Art
On the afternoon that I visited the 2014 Whitney Biennial, I caught sight of a high school group being led through the exhibition by an engaging young arts educator. I slowed down as our paths converged on three large ceramic sculptures by the Los Angeles–based artist Sterling Ruby. Each one is roug
Interview
Molly Zuckerman-Hartung is a Chicago-based painter, teacher, and author of "The 95 Theses on Painting." Her work reflects a deep engagement with process, material, and with painting’s long history. Her abstract paintings often extend above the surface and outside the frame, via pooled enamel, collag
Art
There are no Texas quail rigs in the Whitney Biennial, but then again New York casts a long shadow of bullshit over American aesthetics, its credentialed scenesters busy strip-mining consumer culture to produce elaborate corporate pranks.