Crude Beauty and Wordsworthian Grandeur

by Patrick Neal on October 20, 2014

Stanley Lewis at Betty Cuningham Gallery

The artist Stanley Lewis draws and paints the landscapes closest to him, places where he works, teaches, and travels like nearby lakes and roadsides in Chautauqua, New York, or his backyard and studio window views in Leeds, Massachusetts.

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Post image for Indicting Higher Education in the Arts and Beyond

There’s one very clear take-away from the latest report released by the collective BFAMFAPhD: people who graduate with arts degrees regularly end up with a lot of debt and incredibly low prospects for earning a living as artists.

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A View from the Easel

by Philip A Hartigan on October 20, 2014

View from the Easel

Artist studios in Michigan, New York, Pennsylvania, and Mexico.

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Another Vandal Hits Jeff Koons Retrospective

Last night, a graffiti writer identified by the New York Times as Christopher Johnson, 33, of Manhattan, vandalized a fourth floor wall of the Jeff Koons retrospective at the Whitney Museum of Art.

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Required Reading

by Hrag Vartanian on October 19, 2014

The Gif Connoisseur

This week, an art project asks people to give away their data for a cookie, the first web brower turns 20, a child befriends Siri, slowing down in museums, the smell of old books, tea propaganda, and more.

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Weekend Words: Tower

by Weekend Editors on October 19, 2014

Marten van Valckenborch I, “Tower of Babel”

A new luxury condominium tower (104 units, $7,000,000-$95,000,000) under construction in Manhattan has just topped off at 1,396 feet — 150 feet taller than the Empire State Building.

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Post image for Hands On and Off: The Forest Fringe Festival

The Abrons Arts Center hosted the Forest Fringe Microfestival over the weekend of October 3. Forest Fringe originated at the Edinburgh Festival, a fringe within the Edinburgh Fringe, and has become internationally mobile as an independent entity.

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Bland in an Interesting Way

by Lucas Fagen on October 19, 2014

Post image for Bland in an Interesting Way

If the War on Drugs’s Lost in the Dream is a brilliant soft-pop masterpiece, a theory I am perfectly willing to entertain, it is brilliant in a way more suited to a platinum bestseller than to a critics’ record.

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Paul McCarthy's

After a rough start for Paul McCarthy’s 80-foot tall “Tree,” that included a few punches and name-calling by people unhappy with the artist’s provocation, the inflatable green sculpture has been, well, unplugged.

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Rainy Day Woman: Jane Wilson Re-Visions Reality

by Tim Keane on October 18, 2014

Jane Wilson in her studio, 2095 Broadway, New York. January 8, 1999

Some sixty years ago, when she was a young artist involved in the downtown New York City scene, Jane Wilson stopped trying to be an Abstract Expressionist.

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