Community
Art Movements: Another Artforum Editor-in-Chief Is Out
Tina Rivers Ryan steps down from the disgraced publication, the Studio Museum names three artists-in-residence, and a deeply unnecessary new Jeff Koons collab.
Community
Community
Required Reading
This week: Gladys Nilsson subverts ageist myths, letters from children in ICE detention, Heathcliff and whiteness, Toñita at the Super Bowl, Japanese incense clocks, and more.
Community
A View From the Easel
“Touching the soil fuels my imagination, and it shows in the canvases.”
Community
Art Problems: Should I Sell My Work to People Whose Politics I Hate?
Paddy Johnson explains how to make it in the art market without selling your soul.
Community
Beer With a Painter: Mary Lovelace O'Neal
“At this marvelous hard-won age, the days of jumping and dancing with the paintings are over. But I don't feel limited,” says the artist, educator, and Civil Rights luminary.
Community
Art Movements: Ekow Eshun Heads to Santa Fe
The London curator is tapped to curate the SITE biennial, Mnuchin Gallery closes, a buyer spends big money on a tiny Michelangelo foot drawing, and other industry news.
Community
Required Reading
This week: the art of writing love letters, Black-owned bookstores across history, poets on the Parthenon Marbles, opening a 1926 time capsule, and more.
Community
A View From the Easel
“We love that we’re able to make art as queer artists inside a church.”
In Memoriam
Remembering Richard Gorman, Seyni Awa Camara, and Björn Roth
This week, we honor an Irish colorist, a Senegalese sculptor, and the steward of a family art dynasty, as well as two Florida Highwaymen.
Community
Art Movements: The Brooklyn Museum's New Top Contemporary Art Curator
Plus, the Newark Museum, Grey Art Museum, and the Clark Art Institute get new directors.
Community
Required Reading
This week: an 18-year-old painter in Gaza, Zohran’s documentarian, anti-ICE art sleds in Minnesota, the brilliance of “Heated Rivalry,” hidden reggaetón history, and more.
Community
A View From the Easel
“I like seeing how my pieces change in the daylight versus the dawn.”