A handful of New York residents and environmental activist groups are suing the City of New York, the Parks Department, and Lincoln Center over the use of Damrosch Park, a 2.44-acre park on the Upper West Side. The lawsuit claims that the city has effectively, but illegally, handed over management of the park to Lincoln Center, and that the events the performing arts center holds there — including the iconic Fashion Week — have taken over the space and rendered it unusable for the public.
Continue Reading → 
The phrase “barrel of monkeys” generally means a bit of crazy fun. In some cases, though, people may use it as an example of something that’s less fun, i.e. “this party is way more entertaining than a barrel of monkeys.” This contradictory dual meaning makes Barrel of Monkeys a great title for a graphic novel by French cartoonists Florent Ruppert and Jérôme Mulot — in my eyes, at least, because I still haven’t decided whether the book was a really awesome barrel of monkeys or the lesser variety.
Continue Reading → 
Of the 25 artists whose work is currently on view at Dia:Beacon, four of them are women. (And one of those women is half of a husband-and-wife team.) The open, spacious museum just up the river from New York City is beautiful, staid, and a bit, well, male. Even a fantastic three-room installation of wry Louise Bourgeois sculptures can’t undercut the machismo you get from wandering through a hall full of John Chamberlain pieces (crushed steel), while knowing that under your feet there’s another hall full of Richard Serras (sculpted steel). The male pieces just loom so large — they take up an enormous amount of space, both physically and emotionally.
Continue Reading → 
To help you revel in your art going this week, the doctor prescribes some sure bets and encourages you to take some chances, from the last opportunity to see the New Museum’s NYC 1993 show to an imaginative theatrical museum performance.
Continue Reading → 
Joseph Beuys is a canonical postwar artist, but was he really as progressive and enlightened as we’ve come to believe, and as he led us to think? A new biography of the artist, written by German-born Swiss author Hans Peter Riegel, kicks up the age-old debate about the separation of the artist and the art by contending that Beuys was actually a dedicated follower of the occultist and racist ideas propagated by philosopher Rudolf Steiner, and that he hung out with quite a few former Nazis.
Continue Reading → 
This day may have been inevitable, but now it’s finally here. In its attempt to take over the world — or at least everything that can be bought and sold in the world, Amazon is launching an art gallery.
Continue Reading → 
There are many reasons that the US and Allied troops won World War II. One of the more obscure ones may be the 1,100 men of the 23rd Headquarters Special Troops, aka the Ghost Army.
Continue Reading → 
The word “expo” conjures big visions: grand pavilions, ferris wheels, exotic exhibitions, a world’s fair. But last Sunday, a different kind of expo opened at MoMA PS1, in Long Island City, Queens — Expo 1: New York, the latest curatorial effort of the institution’s director, Klaus Biesenbach. It’s not quite a world’s fair, but Expo 1, which is the result of a ongoing partnership between MoMA and Volkswagen, riffs on the idea by comprising many pieces that fit loosely together as a whole. It might best be described as an exhibition of exhibitions, or an extremely multifaceted exhibition, or an exhibition that’s “not only an exhibition,” as Biesenbach said at a press preview last week. He also talked about it in terms of wrapping “an envelope around the building [MoMA PS1],” while curator Hans Ulrich Obrist, a co-organizer of the show, called it “almost like a Russian babushka.” This was shortly after Obrist posed the essential question from which Expo 1 sprang: “What is a large-scale exhibition for the 21st century?”
Continue Reading → 
Now that the fairs are (finally) over, there’s a good chance you have an art hangover. The doctor prescribes a host of events about as far from art fairs are you can get.
Continue Reading → 
Here at Hyperallergic, we’re big fans of The Art Newspaper, but we can’t stop snickering at this Frieze New York Daily story about the blue-chip art fair (which ends today) being like “a search engine for art.” That is, in fact, the title of the article.
Continue Reading → 
