Ryan Wong


A Biennial Asks: Where Is Brooklyn?

by Ryan Wong on October 10, 2014


“This exhibition series intends to demonstrate the rich wealth of talent to be found throughout Brooklyn.” This is the mission statement of the BRIC Biennial, which recently launched the first edition of the series in its new home in Fort Greene.

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Kazuki Umezawa, “AR Image Core Involving All”

Art scholar Michio Hayashi theorized that the popular perception of “Japaneseness” in the West was cemented in the 1980s by triangulating “kitsch hybridity,” “primordial nature,” and “technological sophistication.”

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I Am Joe Scanlan

by Ryan Wong on June 17, 2014

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Now that the Whitney Biennial is over and the critical debate around it has subsided, I feel it’s time to put this project to rest: I created Joe Scanlan.

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Post image for Sugar Coat: On Oscar Murillo and Kara Walker

In one of those useful coincidences of the New York art scene, two current exhibitions discuss global commerce and history, labor and money through one peculiar entry point: sugar.

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Post image for A Teacher’s Guide to the Last Brucennial

The Bruce High Quality Foundation’s Brucennial has excited and divided the art world for the past 10 years. On the occasion of the fifth and final Brucennial, and inspired by the open classrooms of the Bruce High Quality Foundation University, we offer you a teacher-student discussion guide to the exhibition.

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Rashaad Newsome Is Having a Ball

by Ryan Wong on March 11, 2014

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Five passages on Rashaad Newsome’s “FIVE (The Drawing Center).”

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A Tale of Two Gallerists

by Ryan Wong on February 3, 2014

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The two coincidental exhibitions in New York, on the gallerists Ileana Sonnabend (1914–2007) at the Museum of Modern Art and Holly Solomon (1934–2002) at Mixed Greens, make for engaging historiography, selective histories within the established art narratives.

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Poetry for 49 Days of Grief

by Ryan Wong on January 24, 2014

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There are surprisingly few poetry collections built around the experience of loss. One of them, published just last year, is Time of Grief: Mourning Poems, selected by poet and New Directions editor Jeffrey Yang.

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Post image for Tom, Bob, and the Boys: Queering Midcentury Americana

LOS ANGELES — Bob Mizer and Tom of Finland are to queer pop culture something like Picasso and Braque are to 20th-century abstraction: shocking then but still rich and surprising.

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The Year of Rain and Cronuts

by Ryan Wong on December 19, 2013

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The New York art world was thrown a free joke when, over the summer, people waited in the rain to get into the Museum of Modern Art’s Rain Room, a project by the studio Random International. The line was a capstone to a year of big projects with big draws, one more peak in a now-familiar rhythm: every few months some arts institution offers the “must-see” project of the season.

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