Butterflies Make Art

by Laura C. Mallonee on August 25, 2014

Still from

Every winter, Monarch butterflies retreat to Central Mexico to spend the chilly months hibernating in the trees. But in the past decade, deforestation, pesticides, and climate change have threatened their journey.

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Post image for Repatriating Scalps from a German Museum to American Indian Tribes

Repatriation of scalps from a German museum to tribes in the United States is revealing the rift between the countries in the treatment of human remains as museum artifacts.

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Christoph Schlingensief at MoMA PS1

The Christoph Schlingensief retrospective at MoMA PS1, titled simply Christoph Schlingensief, seeks to capture the career of an artist whose practice is particularly ill-suited to an exhibition.

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Your First Art Review!

by Edie Everette on August 25, 2014

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Back in the day you had to run out and find a news box and buy a paper.

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Required Reading

by Hrag Vartanian on August 24, 2014

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This week, discovering Warhol silkscreened your father, rebel architects, Muslim youth’s rebel music, Gramsci Monument redux, Dante’s heaven, and more.

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Weekend Words: Dollar

by Weekend Editors on August 24, 2014

Leonaert Bramer,

Forty-seven years ago today, Abbie Hoffman led a dozen members of the Youth International Party into the visitors’ gallery of the New York Stock Exchange and threw fistfuls of dollar bills to the trading floor below.

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Post image for Weekend Studio Visit: Denis Farrell in Oughterard, County Galway, Connemara, Ireland

The first work by the Irish artist, Denis Farrell, which I saw was a box titled Ukiyo (2011), containing seventy equally-sized, abstract watercolors. Ideally, the watercolors are supposed to be framed and mounted across all the walls of a gallery, becoming a sequence inviting the viewer to look at each work.

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Post image for Fagen’s Critical Catalogue (August 2014, Part 1)

It has come to my attention that the radio edit of Future’s “Move That Dope” has been christened “Move That Doh” in a classic censorship joke.

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Daniel Dezeuze,

For those who have been watching the critical misfortunes of Supports/Surfaces on the New York art scene over the years, it is a welcome surprise that, after decades of relative indifference, the movement finally seems to be getting some deserved attention.

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Tullio Crali,

The affection, if not outright idolatry, the Futurists held for machines and speed initially focused on automobiles and locomotives, but in the early 1930s artists like Tullio Crali, Gerardo Dottori, Tato (Guglielmo Sansoni), and Giacomo Balla turned their attentions skyward to produce glorifying images of planes.

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