Alberto Giacometti


Crimes of the Art

by Benjamin Sutton on May 12, 2015

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On this week’s art crime blotter: Jonathan Meese acquitted in Nazi salute dispute, Picasso works disappear in transit, and Charles Saatchi sues Saatchi Art for Saatchi name.

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Post image for Afterlives of Mesopotamian Artifacts, from Flapper Fashion to de Kooning

After excavation, ancient artifacts embark on an afterlife of interpretation. From Ancient to Modern explores how the archaeology of Mesopotamia reflected fashions and academia of the 1920s and 30s, and influenced contemporary art.

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The Pursuit of Art, 2014

by Thomas Micchelli on December 27, 2014

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The exhibitions that rippled through our cultural fabric over the past year, at least those occurring in and around New York, have registered the predictable number of highs and lows, though 2014 did manage to plumb one nadir unlikely to be matched for a good long time.

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Alberto Giacometti,

“What I am looking for is not happiness. I work solely because it is impossible for me to do anything else.” That’s how Alberto Giacometti summed it up, as told by James Lord in Giacometti: A Biography, published in 1997.

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Sam Durant's Invisible Surrealists at Paula Cooper Gallery

In 1945, Andre Breton traveled to the Haitian capital of Port au Prince to deliver a lecture on “Surrealism and Haiti.”

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Post image for Video Interlude: Polishing a Giacometti Sculpture

I found it rather soothing to watching two employees at the Museum of Modern Art polish the large Alberto Giacometti sculpture, “Tall Figure, III” (1960), in the museum courtyard.

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Post image for Slithering Toward Us: “Drawing Surrealism” at the Morgan

How much more powerful to say “drawing surrealism” than something like “surrealist drawings.” It gets the action into the art, which is, often, exactly where it is. Unweighted by color, untrammeled by, oh you know, something like the history of painting and how the surrealists (in whatever grouping you choose to deal or not deal with them) dealt with that history. Very often, not at all.

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Post image for Pattern Recognition: Seven Bushwick/Ridgewood Shows

For those who love the vibrant art scene of Bushwick and its younger sister in Queens, Ridgewood, it is a good time to venture through the area’s galleries to see a wide range of work that is sure to inspire and provoke conversation. These are seven shows that are worth a look.

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Post image for “The Line Into Which I Shall Merge”: Jean Genet Among the Painters

Stendhal on Correggio, Baudelaire on Guys, Zola on Manet, Proust on Moreau. It’s a long-standing practice, French poets and novelists taking up art criticism. In the 20th century, the roster continues: Apollinaire,Breton, Leiris, Malraux, Sartre, Bataille, Bonnefoy, and there’s the French poet-painters: Picabia, Cocteau, Nouet, Jacob.

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Post image for The Impossible Curation of Schiaparelli and Prada

It’s inevitable not to compare the new show at the Metropolitan Museum’s Costume Institute to last year’s blockbuster, Alexander McQueen: Savage Beauty, however unfair that might be. But it doesn’t matter, because Schiaparelli and Prada: Impossible Conversations, a pairing of two disparate designers that gives far too much precedence to the latter, falls flat, regardless of what preceded it.

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