The Velvet Underground is in a trademark battle with The Andy Warhol Foundation for the Arts over who owns the iconic banana. The reality is … probably no one.
Andy Warhol
Artists’ Book Not Artists’ Book, as the title suggests, is to explore the fine line between whether a book is an artists’ book or not. It all is more playful than that may sound.
Can a person own a color? Yves Klein may say yes, but Yves Saint Laurent begs to differ.
With a final series of performances beginning tonight and continuing through New Year’s Eve at the Park Avenue Armory, the Merce Cunningham Dance Company will close, ending nearly sixty years in operation.
Looking at the proliferating cross-pollination of fine artists and fashion design (Nan Goldin for Jimmy Choo, Terence Koh for Opening Ceremony, Ai Weiwei for W), we decided to take a look back and remember some of the truly successful collaborations within these two fields.
This week’s Work of Art begins with the arrival of our intrepid artistes at the Phillips de Prury auction house. They follow a line of tin cans until low and behold! A mountain of tin cans! Next to one Andy Warol’s soup can paintings! Guess what kids, it’s time for a Pop art challenge!
What is it about boxes that is so fascinating? I was thinking this as I went into Chicago’s Museum of Contemporary Art to see Pandora’s Box, a show that displays artist Joseph Cornell’s signature assemblages alongside the works of artists who allegedly were inspired by him or who were in artistic sympathy with him. I can think of historical precedents: medieval reliquaries; Victorian memento mori, which often look strikingly like Cornell’s miniature worlds. But these forebears don’t quite explain the combination of weirdness and visual beauty of something made by Cornell, nor the undoubted fascination with him since his death. His boxes frame the objects in a different way than a conventional picture frame, of course; they concentrate the viewer’s attention; but there’s something else, which finally came to me after I’d seen this show.
The Warhol Foundation is dissolving it’s Warhol Authentification Board, Inc. According to Warhol Foundation president Joel Wachs, the: ” … decision was driven by the financial toll the board’s operations have taken on the institution has a whole.”
This week … Warhol’s Headline works, a 2003 interview with Sol LeWitt, Twitter paintings by Evan Roth, Kapoor & Isozaki partner for an inflatable concert hall, world’s earliest Christian inscription is identified, Gagosian’s Madison Ave shop closes, NY pics from 1974, color TV spots from the 1960s and a shrine to buffed street art.
Imagine strolling through clean, bright halls, surrounded by immaculate display cases filled with baubles and trinkets, the steam-polished precious metals and gems coruscating in the glare of spotlights. Hear your feet clacking on the white floors, stopping to look closer at the jewelry on display, but not close enough to stir the ire of the security guard peering over your shoulder. Imagine wanting everything you see, from diamond diadems to neon-tubed necklaces. No, you’re not in Tiffany’s or Cartier, you’re in the Museum of Arts and Design, gazing at their new show, Picasso to Koons: The Artist as Jeweler.
