Felix Gonzalez-Torres

Post image for A Digital Reboot of Félix González-Torres’s Memorial to Victims of Gun Violence

Artworld polymath Greg Allen has made an odd, ritualistic, perhaps metaphorical memorial.

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Post image for The Open Works of Felix Gonzalez-Torres

LONDON — Every time Gonzalez-Torres’s work is exhibited, a critical opportunity arises.

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Post image for Prends-Ça! A Paris Exhibition Invites Visitors to Take the Artworks with Them

PARIS — Take Me (I’m Yours) at the Monnaie de Paris revives and expands a 1995 exhibition curated by Christian Boltanski and Hans-Ulrich Obrist at London’s Serpentine Gallery, in which all the art is designed to be touched and taken away.

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Post image for Subversive Color at the Rose Art Museum

WALTHAM, Mass. — To say that painting is having a moment would be ironic – since, despite periodic claims regarding its demise or return, it clearly never went very far away.

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Post image for At the New Whitney Museum, America Is Actually Very Easy to See

The inaugural exhibition at the new Whitney Museum of American Art, which opens to the public today, is predicated on the elusiveness of a cohesive and stable national identity in the United States.

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Post image for 100 Walkers Spread Cryptic Signage Throughout West Hollywood

LOS ANGELES — New York has Times Square and Las Vegas has the Strip, but more than any other American metropolis, the City of Angels is a city of signs.

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Post image for From Calder to Kruger, the New Whitney Museum’s First Show

The inaugural exhibition at the new Whitney Museum is not perfect, but it is pretty damn good.

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Post image for From the Couches to the Conservation Labs, the Whitney Museum’s New Building

They say you don’t realize what you were missing until you get it. Well, New York City was missing a building for showing modern and contemporary art.

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Post image for Artists Serve Up the Radical Power of Eating

MINNEAPOLIS — I have to admit, I was a little wary of going to see an art exhibition that I presumed would consist of leftovers from a one-off, amazing, artist-led dinner, a show littered with lengthy documents about a great event I missed.

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Rirkrit Tiravanija

A few months after having been roundly trounced for The Forever Now: Painting in an Atemporal World, its attempt to assess the current state of painting, the Museum of Modern Art opened a reinstallation of its contemporary collection on the same day as its Björk fiasco.

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