Kara Walker

Post image for An Encounter with Kara Walker’s Poignantly American Work in the UK

LONDON — Kara Walker’s Go to Hell or Atlanta, Whichever Comes First is a powerful, nuanced visual rant.

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Post image for Two Chelsea Galleries Go Wall Out for Summer

‘Tis the season of reduced hours and low-stakes group shows at most Manhattan galleries, but two spaces in Chelsea are bucking the trend with summer exhibitions of large-scale murals.

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Post image for Subversive Color at the Rose Art Museum

WALTHAM, Mass. — To say that painting is having a moment would be ironic – since, despite periodic claims regarding its demise or return, it clearly never went very far away.

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Post image for How the Identity Politics of ‘Empire’ Play Out on Its Walls

Not 10 minutes into the pilot episode of Fox’s TV drama Empire, Kehinde Wiley’s bright yellow portrait “Prince Albert, Prince Consort of Queen Victoria” looms into view above the dining room table where the men of the Lyon family are gathered.

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Rirkrit Tiravanija

A few months after having been roundly trounced for The Forever Now: Painting in an Atemporal World, its attempt to assess the current state of painting, the Museum of Modern Art opened a reinstallation of its contemporary collection on the same day as its Björk fiasco.

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Post image for Curating a Contemporary Cabinet of Curiosities

BLOOMFIELD HILLS, Mich. — The centuries-old tradition of the Wunderkammer is enjoying a resurgence of late, with cabinets of curiosities on display from the Chazen Museum of Art to Gagosian Gallery, and vitrine artists like Edmund de Waal and Joseph Beuys being hailed as champions of the medium.

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Best of 2014: Our Top 10 Brooklyn Art Shows

by Hyperallergic on December 23, 2014

Post image for Best of 2014: Our Top 10 Brooklyn Art Shows

Between the proliferation of galleries in Bushwick and, to a lesser extent, Greenpoint, the small cadre of Dumbo galleries sticking it out, longtime heavyweights including the Brooklyn Museum and BRIC mounting ambitious shows, and Creative Time parachuting Kara Walker’s sugar sphinx into the Domino Sugar Factory, it’s been an exceptionally strong year for art in Brooklyn.

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Sources of Harm: Notes on the Alternative Artworld

by Joseph Henry on September 11, 2014

Post image for Sources of Harm: Notes on the Alternative Artworld

Within and beyond the American artworld, the politics of race have assumed a central position this year with a degree of ugliness that feels particularly virulent.

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Post image for Jeff Koons, Kara Walker, and the Challenge of Public Art

As if his museum-filling Whitney retrospective weren’t enough, Jeff Koons currently has a massive sculpture on view at Rockefeller Center. “Split-Rocker” is comprised of two halves, one the recreated head of a toy pony rocker, the other the head of a toy dinosaur rocker.

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Post image for Raccoons to the Rescue: Insider Reveals Kara Walker Pest Antagonists

Where are all the sugar-seeking pests at Kara Walker’s multi-ton installation made of the stuff, “A Subtlety”? We investigated this aspect of the show at the soon-to-be leveled Domino Sugar Factory a few weeks ago.

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