Art Review
Beneath the Firmament of Katherine Bradford
In this show, the 83-year-old American artist touches on life, death, and mutual support in ways that feel more personal than ever.
Art Review
In this show, the 83-year-old American artist touches on life, death, and mutual support in ways that feel more personal than ever.
Interview
“I don't think anybody believed I could be an artist,” the 82-year-old painter told Hyperallergic in an interview.
Art
In Bradford’s color-infused world of superheroes and swimmers, viewers and her figures bathe together outside of time and space.
Art
You don't need a train ticket to see the five glass mosaic murals by Bradford at the L train 1 Avenue stop.
Art
In her “Mother Paintings,” Bradford’s observations of life in a pandemic have merged with her interior world.
Interview
“When times are dark there is the inclination to want to give up. But the Dark Ages led to the Renaissance.”
Interview
“Ordinarily, I feel a sense of solidarity in isolation with other artists. I feel it even more during our enforced isolation.”
Art
Bradford's new paintings represent a significant departure from her previous work, which gained many admirers, myself included. Simply put: she has gotten much better at getting at difficult subjects.
Art
New York University's Grey Gallery takes on the concept of the sublime in contemporary landscape art.
Art
Katherine Bradford and Jen DeNike remind me how much more there is to water in their gem-like show at AE2.
Art
In this exhibition, it struck me that what Katherine Bradford keeps getting better at is incoherence: she can meld divergent details without coming across as contrived or arbitrary.
Interview
“Jen! Welcome to Maine!” Katherine Bradford exclaims brightly as she spots me crossing the street.