The Devil Lives in Berlin

I thought I’d found a safe place to make art. Instead, I entered a theatre where most perform the role of liberated artist while swallowing institutions’ diversity scraps.

The Devil Lives in Berlin
From "My Servant’s Master (2021)," Day Eve Komet stands inside their own hand-painted, full-room installation in Vienna, where walls, ceiling, and floor merge into a vibrant, all-over field of color and gesture. (photo Ina Aydogan, courtesy the artist)