* * *
FAME IS NOT SEXUALLY TRANSMITTED
I want to be where the smells are not industrial
when I lay my head on your lap for sleep
to overpower my knighted fantasies. Your internal organs
find me when I reach into your wet damp
and I know what heaven wishes it could be.
Eyes the color of sky and a heart as rabbitish as a soul
hopped up on how to coax the dark
from the hole it builds itself into.
It’s just that with all of the ways that I know you,
I want technology to tell me how else to know
what else else is and
what there is about you you haven’t revealed.
Give me a diagnosis, Godard or Djuna Barnes.
Jesus or the Seven Internet Sins.
Tell me about the ways to feel that haven’t
exposed themselves with nude release yet.
Crowd source my hive mind and be
a beautiful body-lessness. That’s the way the man
in the box deliberately disembodied his voice
to make me think against the grain of how
I’ve already thought you into the shape of thought.
In a spirit of formless hauntingness. That way,
I could have you in the fashion plastic fails:
by giving a shape that form fits me where I apply it.
A mirror of god molding me.
You are a cloud to impress, a tutu of genius light.
This disappeared, displaced light of night
is where armor claims
the most felt revolutions are intimate. I put you on.
I wear you skin deep. Waxy starlight,
in you I bear the translucent tales of film negatives.
An extraordinary variety of artists came to Jon Swihart and Kim Merrill’s backyard potlucks, discussing not just their work, but also the events and challenges of their lives.
With A Lion for Every House at the Art Institute of Chicago, Floating Museum riffs wildly on the art rental programs of some museums.
Art and photographs, publications from the 19th and 20th centuries, manuscripts, posters and more are set to cross the auction block on August 18.
A Thing for the Mind takes Philip Guston’s 1978 painting “Story” as a starting point to examine the myriad ways in which this piece has filtered into the work of other painters.
An Oakland librarian and a French teacher in Oklahoma City collect ephemera they discover in returned and used books, from photos and recipes to love letters.
Until you’ve seen a place for yourself, it’s a bit of an abstract idea. So why not ask Artificial Intelligence to create your travel poster?
Incarcerated people will be allowed to read Heather Ann Thompson’s 2016 Blood in the Water, except for two pages featuring a map of the prison.
The Nevada Museum of Art in Reno welcomes guests to learn about “The Architect to the Stars” through captivating black and white photography. On view through October 2.
The long-lost painting resurfaced at the upscale Urban Gallery in Tel Aviv, sparking the anger of Palestinians.
“Guests in love, please understand — most of the exhibits in our museum are objects ‘born’ many years ago and subject to completely different moral standards,” said the Fort Gerhard museum in a statement.
This week, the Webb space telescope wows, übernovels, crappy pigeon nests, the problem with “experts,” and much more.