Editorial note: This is the second of two posts dedicated to the history of PAD/D (Political Art Documentation & Distribution) an activist group of New York based artists and writers active between 1979–1988.
Briefly used as the Museum of Modern Art’s exhibition space during the renovation and rebuilding of the museum’s Manhattan venue (2002–2004), MoMA QNS now serves as the museum’s storage and archival space.
The PAD/D archive is comprised of over 2,700 items, split into two sections: Regular files made up of documents, flyers, photographs and slides, and large flat files for posters, prints, and stencils.
Aside from material related directly to PAD/D, countless files are dedicated to socially conscious arts organizations active between 1979–1990. Alongside familiar names such as the Guerrilla Girls, Group Material, Gran Fury, and the Art Workers Coalition (AWC), one will discover a myriad of lesser known collectives such as Angry Arts and Carnival Knowledge. Were it not for the efforts of PAD/D, the histories of many of these groups would have gone undocumented. The archive was formally donated to MoMA in 1994 by PAD/D members Barbara Moore and Mimi Smith. The photographs below represent a tiny portion of the archive.
Special thanks to Jennifer Tobias, librarian at the Museum of Modern Art, for her help with my research.
MoMA QNS (45-20 33 Street in Long Island City, Queens) is open Mondays, 11am–5pm, by prior appointment.
A total of 24 board members stepped down from their posts after the art center’s parent company allegedly attempted to terminate 12 of their colleagues.
A group of artists and writers denounced the center for hosting Philippines President Ferdinand Marcos Jr., son of the country’s former dictator.
This new kunsthaus in Potsdam shows modern and contemporary works of art from East Germany in what was once a terrace restaurant.
Xenobia Bailey, Jeffrey Gan, Elizabeth G. Greenlee and N.E. Brown, Siera Hyte, Maru López, and Olivia Quintanilla will contribute to a Hyperallergic Special Issue on underrepresented craft histories in 2023.
An investigation by Forensic Architecture and Al-Haq into the killing of Shireen Abu Akleh looked at previously unseen footage and unpublished autopsy reports, among other evidence.
The Philadelphia organization offers artists on-site access to recovered materials, studio space, construction equipment, a $1,000 stipend, and more.
This week, a Keith Haring drawing from his bedroom, reflecting on Theresa Hak Kyung Cha, you’re not descended from Vikings, the death of cursive, and more
Eros Rising at New York’s Institute for Studies on Latin American Art demonstrates that eroticism might be closer to the cosmic than to the terrestrial in its infinite manifestations.
Drawn to Life at the Ackland in Chapel Hill, North Carolina, showcases 17th-century Dutch drawings of landscapes, portraits, preparatory studies, and biblical and historical scenes.
I was curious to see Casteel’s first exhibition since her New Museum show. I was not disappointed.
Stephanie Syjuco’s exhibition Double Vision points to the role that museums play in perpetuating narratives about the people, places, and events of the American West.
This is what happens when boozed-up patrons party next to priceless mosaics, statues, and vases.