Viktor Wynd's pet Delilah (photograph by Oskar Proctor)

Viktor Wynd’s pet Delilah, from the new book “Viktor Wynd’s Cabinet of Wonders” (photograph by Oskar Proctor, all images courtesy Prestel)

Last month, the Viktor Wynd Museum of Curiosities, Fine Art & Natural History opened its doors on a clutter of curios in East London. Housed by the Last Tuesday Society, it’s the latest visual expression of the eclectic collections of self-professed aesthete Viktor Wynd, who likely never met a carnivorous plant or ornate animal skull he didn’t like.

Selection of skeletons (photograph by Oskar Proctor)

Selection of skeletons in Viktor Wynd’s Little Shop of Horrors in East London (photograph by Oskar Proctor) (click to view larger)

The museum bills itself as “the first all encompassing museum to open in London since the Horniman in 1901.” A new book released this month by Prestel — Viktor Wynd’s Cabinet of Wonders — is a tour through Wynd’s world, from his home to his most beloved museums. The photography by Oskar Proctor, printed in generous full pages, lets you seek out all the hidden oddities in each frame, sort of like looking at a Graeme Base book without the puzzle. Two-headed lambs, a mummified fairy, a bumblebee carved from a cow’s horn, a kitchen full of pitcher plants and Vanda orchids — it’s a dense tableau of real specimens and fabricated oddities (I spotted some conjoined fetuses of the Gemini Company mingling with shrunken heads and a walrus skull in his Cabinet of Death). On the cover, Wynd fashions himself as a modern naturalist with his embodiment of a modern Charles Wilson Peale self-portrait, and throughout narrates in a languid, ironic, somewhat self-loathing tone.

The new museum, with its admission reportedly at £3 — tea included — follows his Viktor Wynd’s Little Shop of Horrors, and the 200 pages of the book include photographs from that establishment, as well as the homes of his fellow collectors. Tucked at the end of the book, when you’ve either been appalled, exhausted, or won over, is a chapter on how to be a collector yourself, with some actually decent advice. “As you wander through life, some things will grab you,” he writes. Although he immediately follows that up with: “I never knew I needed a hairball from a cow’s stomach until I was offered one for sale.”

Victorian baby amongst other curios (photograph by Oskar Proctor)

Victorian baby amongst other curios in Viktor Wynd’s kitchen (photograph by Oskar Proctor)

Viktor's desk (photograph by Oskar Proctor)

Viktor Wynd’s library, with dinner on the table (photograph by Oskar Proctor)

Napoleon's death mask & other objects (photograph by Oskar Proctor)

Napoleon’s death mask & other objects in Viktor Wynd’s Little Shop of Horrors in East London (photograph by Oskar Proctor)

Sculpture by Eleanor Crook & rare birds (photograph by Oskar Proctor)

Sculpture by Eleanor Crook & rare birds in Viktor Wynd’s Little Shop of Horrors in East London (photograph by Oskar Proctor)

The hall at Bournes House (photograph by Oskar Proctor)

The hall at Bournes House (photograph by Oskar Proctor)

Black cats (photograph by Oskar Proctor)

Black cats owned by Molly Micklethwait & Rufus White (photograph by Oskar Proctor)

Cabinet of Death (photograph by Oskar Proctor)

Cabinet of Death in Viktor Wynd’s museum (photograph by Oskar Proctor)

Display of taxidermy (photograph by Oskar Proctor)

Display of taxidermy Viktor Wynd’s Little Shop of Horrors in East London (photograph by Oskar Proctor)

Viktor Wynd’s Cabinet of Wonders is available from Prestel.

Allison C. Meier is a former staff writer for Hyperallergic. Originally from Oklahoma, she has been covering visual culture and overlooked history for print and online media since 2006. She moonlights...

One reply on “The Curious Collecting Life of London’s Newest Museum Proprietor”

Comments are closed.