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In the mid-1930s, a woman named Dorothy Waterhouse was scraping wallpaper from the interior of an old Cape Cod house when she developed an unusual obsession. “Suddenly I spotted beneath the drab looking top layers some beautiful colors,” she later told a newspaper. She soon opened her own wallpaper business, and throughout the rest of her life, she would take many trips into the countryside to expose and preserve the wonders hidden in other people’s walls.
Waterhouse isn’t alone in her fixation. Wallpaper has been the subject of exhibitions at institutions like New York’s International Print Center and Manchester’s Whitworth Gallery, and artists like Andy Warhol and Damien Hirst have even created their own designs. It surfaces throughout literature, too — in books like Crime and Punishment and short stories like The Yellow Wallpaper.
Now all of us who share Waterhouse’s fascination with wallpaper can explore her 1,400-item-strong collection online. After her death, the archive was donated to Historic New England, which recently finished digitizing it along with 4,800 other wallpaper samples. “The collection is searchable by date, location, and manufacturer, and by keywords like color and type of pattern,” cataloguer Peggy Wishart said in a press release. “You can zoom in to see every detail.”
The archive tells the regional history of wallpaper from the early 18th century, when it was still a luxury import, through after the American Revolution, when manufacturers like Ebenezer Clough, Moses Grant, and Zechariah Mills began woodblock printing their own. By the late 19th century, one advertisement claimed that the “decorative possibilities of the new WALL PAPERs are almost boundless.”
To showcase this work exactly 500 years after Magellan’s conquest of the Philippines in a space that, 134 years ago, was a “human zoo” of Indigenous people from the Philippines, is certainly poignant.
Since 2014, Alison has been visually dissecting Monique Wittig’s novel The Lesbian Body, which theorizes the split subjectivity women experience in language, an inherently patriarchal structure.
This exhibition in Great Falls, Montana addresses the concept of intention in contemporary fiber art and its complex relationship with the history of women’s art as craft.
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Cha, who was murdered at 31 years old, explored the nuances of forced migration and language.
Explore new avenues in artistic practice and scholarship amongst a diverse cohort of peers while gaining leadership skills both academically and professionally.
Taping a banana wasn’t enough, so the art world had to do something even more stupid with food.
Stoner jokes, unexpected pop culture references, and an unlikely love story jangle against each other like charms on a bracelet.
In this exhibition, curated by Patrick Flores and presented by Taipei Fine Arts Museum, Paiwan artist Sakuliu reflects on interspecies co-sharing and coexistence.
The plans for Munger Hall may just be the most ruthlessly efficient way to house 4500 students.
The Mandan, Hidatsa, and Arikara (MHA) Nation says tribal leaders were not consulted regarding the relocation of the statue.
The autumn holiday of Sukkot continues to offer solace and community for new generations.