Support Hyperallergic’s independent arts journalism.
Art authenticators can finally breathe a sigh of relief: on Monday, the New York State Senate passed much-anticipated legislation that protects them from frivolous libel lawsuits. Act S1229A states that only “valid, verifiable claims” against authenticators will be allowed to proceed in court. It also stipulates that they be compensated financially for their legal expenses should they win. Though the bill has cleared one major hurdle with the State Senate’s approval, it still needs to be voted on by the State Assembly before it passes into law.
The bill amends the existing Arts and Cultural Affairs law to address an enormous problem. In recent years, art authenticators have increasingly become victims of some of the art world’s biggest bullies. Those who formulate opinions about artworks that collectors disagree with have found themselves served with bogus libel lawsuits, forced to bear the financial burden of crippling lawyers’ fees even when the suits get thrown out.
It’s also been detrimental to art historical scholarship. In 2012, for instance, the Andy Warhol Foundation and the Estate of Jean-Michel Basquiat stopped providing certificates or opinions of authenticity in order to avoid any legal repercussions. That same year, researchers at London’s Courtauld Institute of Art cancelled a conference about a group of alleged Francis Bacon drawings for the same reason.
Thanks to the new law, that sad era in contemporary art may finally be relegated to the history books. The legislation covers any “person or entity recognized in the visual arts community as having expertise regarding the artist, work of fine art, or visual art multiple, or a person or entity recognized in the visual arts or scientific community as having expertise in uncovering facts that serve as a direct basis, in whole or in part, for an opinion as to the authenticity, attribution, or authorship of a work of fine art or visual art multiple.”
That includes authors of catalogue raisonnés or other texts wherein an opinion about an artwork is expressed or implied. It excludes anyone who doesn’t practice the trade in “good faith” — that is, anyone who stands to gain financially from evaluating an artwork (besides the standard authentication fees).
“Our art galleries and museums are an integral part of a successful
tourism industry throughout New York State,” Senator Betty Little, who sponsored the bill, said in a statement. “A key component of the industry are highly skilled experts who provide opinions about the authenticity of works of art.”
This week, the scourge of immersive exhibitions, the popularity of anti-vax deathbed videos, the pregnant man emoji, Chomsky on Afghanistan, Met Gala commentary, and more.
It seems like we broke the ice to a growing consciousness that the status quo isn’t going to work.
Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
Nate Chastain, OpenSea’s head of product, was ousted on Twitter by a user who posted questionable transactions from his wallet.
The 40-year relationship that unfolded between Toklas and Stein became the bedrock of Paris’s artistic avant-garde.
Over the course of three months, the resident artists in Going to the Meadow will collaborate and create with a curated set of continually changing materials.
Fifty works, all created by women, are brought together across time and media as the Norton Museum of Art reckons with the art world’s patriarchal past and present.