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There’s plenty of art to see in museums and galleries around New York City, but when the weather is lovely, it’s nice to have options available to enjoy art in public areas. Such places do exist — and not just well-known ones like Socrates Sculpture Park and the High Line (although those are well worth a visit). Across the five boroughs, quiet pockets of public green space offer a taste of culture outdoors. Here are some of our favorite finds, mapped and listed. We welcome suggestions of others in the comments.
Once an overgrown empty lot, First Street Garden is now an open art space that hosts a busy calendar of installations. Last year Rudy Shepherd planted “Black Rock Negative Energy Absorber” in the center of the garden, while Claudio Limon and Adam Kidder were among those who painted murals. Most recently, students from the Hetrick-Martin Institute installed a series of summer murals titled “We’re In This Love Together.”
This pocket park, which recently welcomed a mural by Robert James Anderson, is another outdoor art space with an active schedule of events. It’s been home to a range of exhibitions, readings, performances, and film screenings for almost a decade, after Allied Productions, Inc. spent 14 years fixing up the land where an old auto-body shop used to be. The park also hosts open calls for project proposals involving essentially anything art-related (“spatio-social sculpture,” “underwater relational aesthetics,” and “erotic eschatology” are all welcome). Look out for a number of programs in the coming weeks.
Run by Hope Community, Inc., this hidden oasis is filled with gems, from a footbridge to a textured mural of a waterfall in a jungle. Its centerpiece is “Blossom/En Flor,” a mosaic sculpture that functions as a fountain to feed a small stream. Designed by Colombian-American artist Lina Puerta, the work is an ode to the women of East Harlem.
In the summer of 2010, the Citywide Monuments Conservation Crew restored Puerto Rican artist Jorge Luis Rodriguez’s 1985 sculpture “Growth,” the first project completed as part of the city’s Percent for Art program. You’ll find the slender, red steel piece towering over the flora of the East Harlem Art Park, which is tucked between the landmarked Harlem Courthouse and Casabe Houses.
It’s not exactly a hidden garden, but on the grounds of the Bronx Community College visitors will find bronze busts of figures from Edgar Allen Poe to Walt Whitman to Harriet Beecher Stowe to John James Audubon. These portraits — 102 in total — reside in an impressive, open-air colonnade designed by Stanford White that spans 560 feet, and were created by artists including Robert Aitkin, Malvina Hoffman, and Lorado Taft.
This self-described “garden of waking dreams” opened last year and displays a continuously changing roster of artists, including those showing as part of Bushwick Open Studios. It’s run by Nyssa Frank of the Living Gallery, who welcomes anyone interested in participating to submit work, as long as the sculptures are set to brace the forces of nature.
The Jane Bailey Memorial Garden has served its community for over two decades, existing primarily as a vegetable garden and neighborhood hangout for picnics. This summer, however, it’s teaming up with Brooklyn Academy of Music, as part of BAM’s free Arts in the Gardens program, to host a range of events. You still have time to catch a night of ambient electronic music and Afrotronic funk or a film screening.
Formally the site of St Augustine Church, this green space holds an herb garden, flowerbeds, vegetable plots, and a variety of fruit trees. A number of works grace the space, including two 30-foot-tall, wooden East African stilt-walkers and a black marble statue. Most recently, Musa Hixon erected a delicate dreamcatcher sculpture as part of his Metropolis Arts Public Project Space endeavor.
Spread across the 25 acres of Pratt Institute is a selection of over 50 sculptures curated by Professor David Weinrib. Find a number of Philip Grausman’s larger-than-life heads; an imposing, gravity-defying beam by Takashi Soga; and many benches sculpted by a variety of artists. It may not be the most secluded green place to relax in, but with many students currently on break, there’s probably no better time than the dog days to take advantage of the reduced traffic.
Adjacent to the Noguchi Museum is this tranquil sculpture garden, which holds over 200 works by renowned sculptor Isamu Noguchi. The garden has been undergoing renovations since last September, but it’s scheduled to reopen sometime soon. In the meantime, look forward to the forthcoming Noguchi exhibition in September at the Brooklyn Botanic Garden.
The Metropolitan Museum of Art’s Astor Chinese Garden Court is one of the institution’s most unique galleries, but it’s also one of the most frequented. Find true tranquility at Snug Harbor Cultural Center’s version of traditional Ming Dynasty gardens, which offers mini waterfalls, koi-filled ponds, a bamboo path, and an array of pavilions to relax in with a book. It’s just one of the many gardens on the grounds of Snug Harbor.
“Black infants in America are now more than twice as likely to die as white infants—11.3 per 1,000 black babies, compared with 4.9 per 1,000 white babies, according to the most recent government data—a racial disparity that is actually wider than in 1850, 15 years before the end of slavery, when most black women were…
In 1850, when Dr. Robert W. Gibbes commissioned J. T. Zealy to make daguerreotypes of persons held in slavery in and around Columbia, South Carolina, for Harvard Professor Louis Agassiz to use in support of his theory that African people were a separate species, daguerreotypes were at the height of fashion.
The show, which honors the 50th anniversary of an exhibition history once ignored, continues a series of projects documenting Wilmington’s contemporary art scene.
he ownership of images has a long and nuanced legal history, which has evolved dramatically in recent years as cultural standards and photographic technologies have rapidly advanced
Renty and his daughter Delia. Renty was an enslaved African, kidnapped from the Congo, sold and forced into slave labor on the South Carolina plantation of B.F. Taylor
Two K-12 art teachers will each receive a $1,000 cash gift and an additional $500 to put toward classroom art supplies. Nominations are due October 31.
As a scholar of African American history and photography whose work has focused on the status of violent images in museums and archives, I fully support the validity of Ms. Tamara Lanier’s claim and the amicus brief.
The daguerreotypes of Renty Taylor, Delia, Drana, Alfred, Jack, George Fassena, and Jem remained in an unused storage cabinet until 1975, when it was discovered by an employee of the Peabody Museum.
I am writing in support of the amicus curiae brief submitted by Professor Ariella Aïsha Azoulay of Brown University for the full restitution of the daguerreotypes of Renty Taylor and his daughter Delia, currently held by Harvard University, to their familial descendant, Tamara Lanier.