Antarctic exploration no longer involves frigid winters lodged in wooden shacks, or the threat of your ship being smashed to pieces in the ice with no means of communicating home. Nevertheless, a century since Ernest Shackleton and Robert Falcon Scott journeyed to the southern point of the planet, Antarctica remains one of the most extreme work places in the world. And it’s an essential one, especially for atmospheric and climate science, such as the British Antarctic Survey documenting the ozone hole in 1985. In 2012, that organization launched a research station now setting a new standard for architecture in extreme environments: Halley VI.
Ice Station: The Creation of Halley VI, Britain’s Pioneering Antarctic Research Station, out now from Park Books, chronicles the design and construction of the science outpost. Accompanying text by Ruth Slavid, British photographer James Morris captures the futuristic contrast of the blue and red station against the expanse of white. Inside, scientists and the station’s support staff live in as comforting an interior possible, with wood walls and sunlight-mimicking lamps combatting isolation during the long winter months.
The previous Halleys, going back to the first, a traditional wood hut in use from 1959 to 1968, were all either buried or crushed by the snow that accumulates because of high winds. Adding to the cold temperatures that can dip to -50°C [-58°F], the Halleys are on the Brunt Ice Shelf in the Weddell Sea, which means that they are detached from the Antarctica land mass and constantly shifting. Designed for the British Antarctic Survey by Hugh Broughton Architects and AECOM, who won an international competition by the Royal Institute of British Architects (RIBA), Halley VI can be lifted up, placed on skis, and relocated.
Alongside Morris’s photographs, diagrams and sketches give a full view of all the modular station’s components, from cockpit roof lights where residents can view the auroral lights in the winter, to the social module with its bar lounge (likely an equally essential winter feature). As Halley VI impacts future Antarctic architecture, such as the Korean Polar Research Institute also by Hugh Broughton Architects and AECOM, it can also be a model for structures in other extreme corners of the world, as well as potential habitations on the moon or even Mars.
As Ruth Slavid writes in Ice Station, it “has changed thinking about building in the Antarctic and other remote places; it has taught all those involved in its construction an enormous amount; and it has ensured that there will be a good environment in which Antarctic science can continue to develop in the future in ways that cannot be foreseen.”
Ice Station: The Creation of Halley VI, Britain’s Pioneering Antarctic Research Station, with text by Ruth Slavid and photographs by James Morris, is out now from Park Books.
Ceramic fried eggs, critiques of real estate, and a whole booth dedicated to female-identifying saints caught my eye at Untitled, NADA, and Art Miami.
The Manhattan District Attorney’s office recovered 23 looted objects from Shelby White’s home over the last year and a half.
The award-winning Canadian artist explores notions of power through the imagery of science fiction in portraits, sculpture, and objects.
An egregious “anti-woke” billboard erected in Los Angeles attempts to sow division among Latino/a/x communities.
This week, missed signs of previous life on Mars, the appeal of forged art, and why are blue whales singing in lower octaves?
This affordable, interdisciplinary program with excellent facilities and private studios offers in-person instruction for 2023.
All the Beauty and the Bloodshed forcefully posits multiple parallels between the world Nan Goldin grew up in and the one she fights in today.
Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Bob Thompson, Aimee Goguen, Uta Barth, the Transcendental Painting Group, and more.
The latest episode of this documentary series on PBS explores the meaning of home through handmade objects, hand built homes, and the artists who create them.
There is the singular artist and then there is the more exclusive club that has only one member. Harvey belongs to the latter.
The artists say the Museum of Contemporary Art Kiasma must sever ties with Poju Zabludowicz, whose wealth comes in part from Israeli defense contracting.
Rhode Island School of Design opens registration for its residential summer Pre-College program and year-round online intensive Advanced Program Online.
Vanessa Albury, whose eco-friendly ceramic sculptures help revive filter-feeder populations, is raising funds to complete her first film about the project.
An archeological exploration of the amphitheater’s sewers and water systems uncovered remnants of meat, vegetables, olives, nuts, and yes, pizza.