The Flux Art Fair, which is only in its second year, has done something boldly innovative with the art fair format: created a scheme of public works placed throughout Harlem’s parks and boulevards. Throughout the month of May, Flux is presenting more than 40 site-specific installations, what they term “interventions” (which, as far as I can tell, are app-based digital works), music, artist performances, panel discussions, and tours. The fair for the most part is concentrated in Marcus Garvey Park, with some satellite works at the Harlem Art Park, Malcolm X Boulevard and 124th Street, Fifth Avenue from Marcus Garvey Park to 129th Street, and the Harlem Grown Farm.
To launch what the Flux Fair calls the Flux Public Art Projects, the founder of the Flux Fair, Leanne Stella, partnered with several key institutions: the Harlem Community Development Corporation, the Marcus Garvey Park Alliance, NYC Parks, and the New York City Department of Transportation Art Program. The key motivation for this coalition seems to be their concern with nurturing a robust civic engagement through public art in the Harlem community. This has been a longtime hope for Harlem. However, the works presented are very much of the current moment politically and aesthetically. Over half the artists are women, there is a range of ethnicities represented, and perhaps most potentially challenging to the members of the community who don’t typically take in public art: all the work is contemporary and little of it representational.
The overarching conceit of the program is the idea of “changing landscapes,” a theme wide and deep enough to essentially give the artists a blank slate with the prompt “surprise me” written below. The artists responded with a range not just of materials and aesthetics, but of vision. Some changed the landscape, some created symbols defying a certain kind of change, and some imagined the community already transformed. Here is a sample.
The Flux Art Fair continues until May 31 at various locations around Harlem, Manhattan.
The Association of Art Museum Directors announced a shift in its longstanding policy, which restricted the use of funds from sales of art to new acquisitions only.
Martín Mobarak may have broken Mexican law, but he burned the proof.
Artists reflect on histories of oppressive power structures in Brazil in this exhibition at the Visual Arts Center at the University of Texas at Austin.
Your list of must-see, fun, insightful, and very Los Angeles art events this month, including the Maya Codex of Mexico at the Getty, Beatrice Wood, Trenton Doyle Hancock, and more.
Your list of must-see, fun, insightful, and very New York art events this month, including Xaviera Simmons, Cristina Iglesias, Mire Lee, and more.
With explosions of color and materiality, Cave has his own enigmatic ways to funnel the funk through histories of adversity.
Kapwani Kiwanga invites viewers to look with only the quiet glow of natural light seeping in through the skylights, illuminating a nuanced way of seeing race.
Funding options at UB include full-tuition scholarships for MFA students, the Arthur A. Schomburg Fellowship Program, and additional opportunities for MA students.
This week, Godard’s anti-imperialism, in defense of “bad” curating, an inexplicable statue, criminalizing culture wars, and more.
I inserted the text from five press releases into DALL-E and this is what it churned out.
As protests rage across the country following the death of Mahsa (Zhina) Amini, Iranian and Kurdish artists are creating work in support of freedom.