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Installation view of the exhibition ‘Photography Until Now,’ on view February 18, 1990 through May 29, 1990 at The Museum of Modern Art, New York (photo by Mali Olatunji © The Museum of Modern Art, New York, all images courtesy The Museum of Modern Art Archives, New York)

Did you happen to miss last year’s blockbuster Picasso show at the Museum of Modern Art? Or perhaps you couldn’t attend another momentous exhibition, the museum’s 1938 presentation of the Bauhaus, because you didn’t even exist yet. Thanks to a new online effort by the museum, sponsored by the Leon Levy Foundation, you now can explore both shows through a digital archive that presents a comprehensive look at the institution’s exhibitions, all the way from its founding in 1929 to the present day. Primary documents such as press releases, annotated image checklists, installation shots, and even entire catalogs are now accessible to offer as well-rounded a view of a show as possible, and the archive will continue to expand as material becomes available. Many of the early photographs of installations, although unfortunately currently uncredited on the website, were captured by the Japanese photographer Soichi Sunami, who served as the museum’s official staff photographer from 1930 until 1968.

Cover of the exhibition catalogue ‘The Machine: As Seen at the End of the Mechanical Age’ (click to enlarge)

With over 3,500 exhibitions now published, the project is an incredibly rich resource of modern and contemporary art, allowing you to glimpse the museum’s first show ever, Cézanne, Gauguin, Seurat, van Gogh, or feast your eyes on images of shiny, utilitarian objects in the out-of-print catalog for Philip Johnson’s 1934 exhibition Machine Art. The search feature is pretty basic, offering just a few filters such as date range and exhibition type (i.e. installation or performance) and allowing you to arrange only by opening or closing date, so that you’re essentially invited to come up with your own queries.

There are plenty of surprises to discover, such as the 1945 Costume Carnival exhibition of wooden cutouts and paper sculptures that celebrated costume design; or Creative Growth, Childhood to Maturity in 1940, the museum’s very first solo show dedicated to a female artist, Dahlov Zorach Ipcar. It featured her artwork made from ages three until 22 — the age she turned that year — which may perhaps make her the youngest creator represented in the museum’s history as well. (She is now 98.) Also of note: in 1945, the museum had an exhibition called Modern Art for Young People, which I’d like to imagine was an effort to engage the “millennials” of the time. Not much information on it, sadly, is available.

Complementing this trove is a less visually enticing but hugely compelling resource: the underlying data of the project, available in the public domain on GitHub. Over the past two-and-a-half years, three MoMA archivists combed through over 22,000 folders of exhibition records and created detailed descriptions of the material for each exhibition. The dataset now features every exhibition held from 1929 to 1989, listing in a massive spreadsheet every exhibition title, opening and closing dates, and featured artists along with basic biographical information from birth date to nationality. You can sort the information by a field of choice, which leads to some interesting insights, such as the fact that — up until 1989 — the earliest artist the museum had featured, historically speaking, was Fra Angelico, and it exhibited only one Native American: photographer and video artist Victor Masayesva, Jr. Aside from artists, the list includes the museum’s staffers — Phillip Johnson, for instance, appears 36 times wearing his various hats of artist, director, organizer, curator, selector, arranger, and competition judge.

Installation view of the exhibition ‘Bauhaus: 1919-1928’, on view December 7, 1938 through January 30, 1939 at The Museum of Modern Art, New York (photo by Soichi Sunami)

While Ipcar was the first woman to have her own show, it was Georgia O’Keeffe who was the first woman to show work at all: in 1929, when she was the only female included in the museum’s second exhibition, Paintings by 19 Living Americans. Since then, her work appeared in 40 other shows — nearly the number of exhibitions in which her partner Alfred Stieglitz had his work featured (45). I took a look at other famous artist couples and found larger disparities between their numbers: until 1989, Willem de Koonings appear in 44 shows and Elaine de Koonings in just four; Diego Riveras in 47 and Frida Kahlo nine (eight of which Rivera was also featured in). Anni Albers appears in only one-third the number of exhibitions her husband did (39), and while Carl André had work in 20 shows beginning in 1968, the museum only exhibited Ana Mendieta in 1995.

The artist who takes the cake for most exhibited, though, is likely Picasso, who is featured in over 230 exhibitions. The museum also gives ample spotlight to Matisse, Joan Miró, Fernand Léger, and George Braque, who all appeared in over 100 exhibitions between the dataset’s 60-year span. Beside, O’Keeffe, the women the museum showed most in that period include Berenice Abbott, with 43 showings, and Helen Frankenthaler, with 36 exhibitions.

I could keep going, but you probably get the point: that the release of this data is a remarkable resource from which you may draw a variety of fascinating conclusions. It is, unfortunately, limited, but with time, the museum will hopefully make more contemporary data available in this format. For the next step in the project, the digital and archival teams intend to focus on the moving image and begin making accessible thousands of film series and the history of performance at both MoMA and MoMA PS1. The Long Island City institution will eventually have its entire exhibition history online as well.

Installation view of the exhibition ‘Cézanne, Gauguin, Seurat, Van Gogh,’ on view November 7, 1929 through December 7, 1929 at The Museum of Modern Art, New York (photo by Peter Juley)

Installation view of the exhibition ‘Machine Art,’ on view March 5, 1934 through April 29, 1934 at The Museum of Modern Art, New York

Installation view of the exhibition ’16 Americans,’ on view December 16, 1959 through February 17, 1960 at The Museum of Modern Art, New York (photo by Rudy Burckhardt)

Installation view of the exhibition ‘The Museum Collection of Painting and Sculpture,’ on view June 20, 1945 through January 13, 1946 (second floor); June 20, 1945 through February 13, 1946 (third floor), at The Museum of Modern Art, New York (photo by Soichi Sunami)

Mies van der Rohe and Phillip Johnson at the exhibition ‘Mies van der Rohe,’ on view September 16, 1947 through January 25, 1948 at The Museum of Modern Art, New York (photo by William Leftwich)

John E. Abbott at the exhibition ‘Bambi: The Making of an Animated Sound Picture,’ on view July 15, 1942 through August 20, 1942 at The Museum of Modern Art, New York

Installation view of the exhibition ‘The Family of Man,’ on view January 24, 1955 through May 8, 1955 at The Museum of Modern Art, New York (photo by Rolf Petersen © The Museum of Modern Art, New York)

Installation view of the exhibition ‘Information,’ on view July 2, 1970 through September 20, 1970 at The Museum of Modern Art, New York (photo by James Mathews © The Museum of Modern Art, New York)

Checklist for the exhibition ‘Information,’ on view July 2, 1970 through September 20, 1970 at The Museum of Modern Art, New York (click to enlarge)

Checklist for the exhibition ‘The Museum Collection of Painting and Sculpture,’ on view June 20, 1945 through January 13, 1946 (second floor); June 20, 1945 through February 13, 1946 (third floor), at The Museum of Modern Art, New York (click to enlarge)

Claire Voon

Claire Voon is a former staff writer for Hyperallergic. Originally from Singapore, she grew up near Washington, D.C. and is now based in Chicago. Her work has also appeared in New York Magazine, VICE, Gothamist, Artnews, Smithsonian Magazine,...

4 replies on “MoMA Digitizes Exhibition Archives, Uploading Images and Data for 3,500 Shows”

  1. Fantastic article! And as the person responsible for compiling much of the data I appreciate the focus given to the GitHub aspect of the project. However, I wanted to correct what might be a mistaken impression given by the article. The author notes, correctly, that only one artist in the entire dataset, Victor Masavesva, Jr., is listed as Native American. However, that is due to a scarcity of information about many artists, especially from the early years of MoMA. The Museum has certainly exhibited work by many more Native Americans and indigenous artists. In particular, the exhibition Indian Art of the United States had many living participants as well as historical works ( and there are other exhibitions of American modern art and folk art where there is also evidence some participants were Native American. But recovering this missing information about ethnicity or nationality is laborious and difficult and many blank spots persist despite our work. A similar difficulty confronts us if we try to make a complete tally of African-Americans exhibited in the Museum’s history, or even try to gain a complete grasp of all women exhibited. Representation of minority cultures and communities in the museum and the wider art world’s history of exclusion and inclusion is a serious ongoing study and critique of modern art. I hope that MoMA’s online exhibition pages will help enable further work in uncovering the precise complexity of this history.

  2. Thank you for this article
    I agree with comment below, the issue is that the term “Native American” was not used until recently. Many of the shows in 1930s and 1940s included Indians.
    Also I have a question. Did you have to pay to use the images online, or will we if we use those materials. Or did you get them for free as a promotional article. I know from experience that MOMA is very protective of their rights and VERY expensive to reproduce their images.

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