Located at the heart of the 57th Street gallery scene, Vartali Salon is proud to announce a joint contest on Art Fag City and Hyperallergic to provide a free cut and optional color (valued at $200) to the person who can creatively tell us in 100 words why they deserve a free hair cut (new clients only). It’s Whitney Biennial and art fair season in New York, so we want you to look your best but first you tell us why you deserve the free haircut … and don’t forget to be creative!
As a special offer for readers of Hyperallergic, Vartali is offering all new clients a 20% discount with select stylists until March 31st. With this special offer you can get yourself a new haircut, single process or some highlights for as little as $50–90. Just give them a call and let them know that Hyperallergic sent you.
Vartali Salon is a proud supporter of the arts. The salon thrives on service and it shows. New York Magazine says This “cozy second-floor French-style boutique has maintained a steady base of clients who appreciate Vartali’s warm, low-key atmosphere amid the crisp Madison Avenue attitude often found at nearby salons.
Read more about Vartali Salon on New York Magazine.
We want to thank Vartali Salon for sponsoring Hyperallergic and our continuing arts coverage.
Join Hyperallergic for an online conversation with Kiowa Tribal Museum Director Tahnee Ahtone on January 25 at 7pm (EST).
This week, Patrisse Cullors speaks, reviewing John Richardson’s final Picasso book, the Met Museum snags a rare oil on copper by Nicolas Poussin, and much more.
Graduate students in the University of Denver’s Emergent Digital Practices program work on research with faculty who are engaged directly with their communities, both online and off.
Alexi Worth’s paintings demand a double take that allows viewers to look closer and begin dissembling the painting in order to understand what is being looked at.
Anastasia Pelias’s sculpture builds on this mythological legacy, suggesting we all have the ability to commune with a higher power and influence our futures.
Curated by Jill Kearney, this exhibition in Frenchtown, NJ amplifies stories both local and universal with work by Willie Cole, Sandra Ramos, sTo Len, and more.
Jack Spicer’s poetry can be deeply funny and playful but it has a consistent undercurrent of sadness.
Belinda Rathbone’s biography traces the sculptor’s embrace of kinetic mechanisms to his work in the Singer Sewing Machine factory.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
It’s the first time in the country’s history that objects of this significance are offered for public sale.
Schwartz was at the forefront of computer-generated art before desktops or the kind of software that makes it commonplace today.
Curator La Tanya S. Autry shares a set of crucial questions she considers when curating images of anti-Black violence.